困惑的浪漫

評(píng)分:2.3 播放:60萬(wàn) 更新:2026-05-02

電影別名:幽骨浪漫/幽谷浪漫 德國(guó)電影《困惑的浪漫》雖然只是描述了一對(duì)侽女的癲狂戀尸,卻讓人感覺(jué)到其中浩浩蕩蕩的無(wú)敵力量。2004年時(shí),US的《時(shí)代周刊》曾評(píng)出;史上最?lèi)盒牡奈宀侩娪?該片以笑傲江湖之勢(shì)榮登榜首。這是一部糾纏于尸體、死亡和xing之間的片子,片中的侽女主角是一對(duì)戀尸癖,家中收藏著各種各樣丑陋不堪的尸體器官,影片里處處都洋溢著死亡的味道和意象,如剝皮的兔子、解剖的海豹和摔爛的黑貓,還有侽主角夢(mèng)中兩人互相拋擲人頭的嬉戲等等。   

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好像一切都很糟糕

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

真事信不信

大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨

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雙生疑云

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