即刻觀影
劇情賞析
編輯推薦
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
致命錄像帶3：病毒
Carrie Keagan,Justin Welborn,杰西卡·盧扎,蘭迪·麥克道維爾,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan1）魔術(shù)師但丁依靠神秘的斗篷在時(shí)尚都會(huì)掙下超高的人氣，但是斗篷中藏著可怕的秘密，但丁則用錄像記錄下了一切。直到某天助理斯卡莉特將錄像帶交給警方，一切昭然若揭；2）野生科學(xué)家阿方索制造了一個(gè)連通平行空間的大門，他和另一個(gè)世界的自己交換空間，到對(duì)方的世界進(jìn)行15分鐘的探險(xiǎn)，卻發(fā)現(xiàn)彼此的世界有著天壤之別。3）三個(gè)熱衷做極限運(yùn)動(dòng)的年輕人偶然來到一處畫著神秘圖案的場所玩耍，不知不覺中遭到一群恐怖之人的包圍和襲擊；夜幕下的城市突然響起刺耳的警笛聲，警方和瘋狂逃跑的冰淇淋車展開奪命追逐。卡文和女友艾瑞絲外出張望，誰知一轉(zhuǎn)眼艾瑞絲竟消失不見，卡文瘋了一般四下尋找?，F(xiàn)代化的社會(huì)，人們依賴影像大刷存在感，卻都變成了轉(zhuǎn)瞬即逝的數(shù)據(jù)碎片……
在魔鬼門前
娜雅·里維拉,阿什莉·里卡茲,科林·伊格斯菲德一幢待售的房子，交到了年輕的女房產(chǎn)經(jīng)紀(jì)莉手上，她在房里發(fā)現(xiàn)了一個(gè)精神有些異樣的女孩，她以為那是前任房主離家出走的女兒，便想伸出援手，誰知女孩似乎被一種超自然的力量控制，莉和她的藝術(shù)家姐姐薇拉，都難逃她的魔掌…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
皮皮魯和魯西西之309暗室
黃爽,劉蕊,李昕皮皮魯兄妹在自家衣柜發(fā)現(xiàn)309暗室，打開后遇到了科學(xué)家“覓工”并得到“致聰盔”。皮皮魯將“致聰盔”戴到了寵物“大傻”的頭上后，城市陷入癱瘓。皮皮魯和家人齊心協(xié)力戰(zhàn)勝“大傻”，魔方市恢復(fù)了原來模樣。
牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強(qiáng),陳湘琪,金士杰結(jié)識(shí)小明（楊靜怡）前，小四（張震）是典型的乖仔，是父母的希望和兄妹的驕傲（一家人指望他考上名牌大學(xué)將來提升全家的社會(huì)地位），他有一個(gè)喜歡搖滾樂的自稱“小貓王（王啟贊）”的好友，兩人雖會(huì)去樹林看人幽會(huì)，但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活?！ ∠矚g上小明后 ，小四便像跌進(jìn)一個(gè)無底深淵，開始被外界的各種力量牽著鼻子走。新識(shí)仰慕對(duì)象honey（林鴻銘）意外身亡，一向敬重的父親的自尊與精神因?yàn)槟炒问录?yán)重受損，加上將一次次“欺騙玩弄”他感情的小明“看透”，血?dú)夥絼傆钟泻軓?qiáng)道德感的小四終于走上犯罪的道路，期望用自己的刀結(jié)束事件的根源。但小四不知的是，他眼中的根源只是這條食物鏈中微不足道的一環(huán)。