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東京出租車2025
倍賞千惠子,木村拓哉,蒼井優(yōu),迫田孝也,優(yōu)香,中島瑠菜,神野三鈴,李濬榮,笹野高史,大竹忍,槙田雄司,北山雅康,木村優(yōu)來(lái),小林稔侍,明石家秋刀魚(yú)故事圍繞的士司機(jī)宇佐美浩二（木村拓哉 飾）展開(kāi)，他每日奔波于都市間工作養(yǎng)家，卻因女兒的學(xué)費(fèi)、的士驗(yàn)車費(fèi)、房屋租金等接踵而至的現(xiàn)實(shí)壓力而身心俱疲。某日，浩二接到一項(xiàng)特別的委托——接載年邁的高野堇女士（倍賞千惠子 飾）從東京柴又前往神奈川葉山的養(yǎng)老院?！霸陔x開(kāi)東京之前，想先到幾個(gè)想去的地方看看”，堇女士淡然請(qǐng)求。隨著的士駛過(guò)日本的大街小巷，陌生的兩人逐漸打開(kāi)心扉，堇女士也徐徐道出自己跌宕的人生過(guò)往。這趟偶然的旅程，不僅觸動(dòng)了他們的心靈，也讓二人在平凡的日子中，為彼此的人生留下難忘的美好印記。
創(chuàng)圣大天使：一發(fā)逆轉(zhuǎn)篇
寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運(yùn)升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹(shù),兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時(shí)長(zhǎng)半小時(shí)的短片。故事是發(fā)生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP（但收錄進(jìn)劇場(chǎng)版時(shí)被取消）。
沖動(dòng)2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫(kù)捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里一位內(nèi)向的俄羅斯父親和十幾歲的女兒住在一輛面包車?yán)?。面包車裝著他們的全部生活，包括一套電影放映設(shè)備。那是他們微薄收入的來(lái)源。這對(duì)無(wú)名的父女從南到北，在他們廣闊國(guó)家的極端氣候中漫游。
古曼童
辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman EsquivelA black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
虎紋少女
扎芙林·宰麗扎爾,迪娜·埃茲拉爾,碧卡,莎黑茲·薩姆,郡·洛瓊,海魯納茲萬(wàn)·羅德茲伊,Fatimah Abu Bakar故事一開(kāi)始，我們見(jiàn)到了12歲的扎凡（扎芙林·宰麗扎爾 Zafreen Zairizal 飾），一個(gè)叛逆而無(wú)憂無(wú)慮的女孩。然而，她的身體開(kāi)始發(fā)生可怕的變化，而她卻試圖否認(rèn)和掩飾這些變化，希望在學(xué)校里保持正常的生活。隨著朋友們對(duì)扎凡的排擠和攻擊，情節(jié)逐漸升級(jí)，達(dá)到了一個(gè)臨界點(diǎn)，整個(gè)學(xué)校陷入恐慌?！ W(xué)校里關(guān)于廁所里藏著一個(gè)暗影的傳說(shuō)加劇了恐懼氛圍，而一位自告奮勇的醫(yī)療官?zèng)Q定趕走困擾眾人的惡魔。醫(yī)療官很快發(fā)現(xiàn)扎凡可能是問(wèn)題的根源，打算為她進(jìn)行驅(qū)魔。扎凡的內(nèi)心狀態(tài)宛如一只被拖出棲息地的受驚老虎，她最終決定向眾人展示真實(shí)的本性，包括憤怒、狂暴和美麗。這可能是一個(gè)關(guān)于接受自己真實(shí)面貌的故事，同時(shí)也涉及到對(duì)于社會(huì)標(biāo)準(zhǔn)和期望的反抗。