北齋漫畫
本片描述了日本浮世繪大師葛飾北齋多姿多彩的一生。 貧民出身的鐵藏（緒形拳 飾）少年時(shí)成為磨鏡師中島伊勢(shì)（フランキー堺 飾）的繼子，后因迷戀繪畫而拜師學(xué)畫，卻被數(shù)個(gè)師傅驅(qū)逐。后與養(yǎng)父鬧翻，和女兒阿榮（田中裕子 飾）寄居在武士出身卻酷愛寫作的好友佐七（西田敏行 飾）家里。 鐵藏雨中邂逅謎樣美女阿直（樋口可南子 飾），與之墮入情網(wǎng)，從此迷上春宮畫，竟大受歡迎。養(yǎng)父迷戀阿直不得，自殺。阿直亦不辭而別，鐵藏人生跌入低谷。困頓之際阿榮和佐七（后來的文學(xué)巨匠 龍澤馬琴）幫鐵藏渡過難關(guān)。四海云游的鐵藏繪出;富獄三十六景等名作。女兒阿榮則在七十歲之際嫁給八十二歲的佐七。獨(dú)自一人的鐵藏在失明的情況下畫出最后的名作;喜能會(huì)之故真道
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羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特1982年，英國(guó)傳奇重金屬樂隊(duì)Spinal Tap搖滾樂團(tuán)紅極一時(shí)。電影導(dǎo)演馬蒂（羅伯·萊納 Rob Reiner 飾）是Spinal Tap樂團(tuán)的一位忠實(shí)粉絲。Spinal Tap樂團(tuán)要來美國(guó)舉行一次復(fù)出巡演，馬蒂則為Spinal Tap樂團(tuán)拍攝隨行紀(jì)錄片。本部仿紀(jì)錄片刻意杜撰出一個(gè)英國(guó)搖滾樂團(tuán)Spinal Tap，活靈活現(xiàn)的刻畫出了搖滾樂團(tuán)臺(tái)上臺(tái)下表里不一的嘴臉，對(duì)當(dāng)代搖滾樂做出了尖銳的諷刺和嘲諷。 本片由羅伯·萊納自編自導(dǎo)自演之作。影片中的電影音樂均由演員們親自演奏創(chuàng)作而成。
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賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul一名美國(guó)青少女在學(xué)校慘遭霸凌，回?fù)舻暮蠊麉s是被送到感化學(xué)校，不過這所「學(xué)?！箤?shí)則更像一座監(jiān)獄，她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派，在這片龍蛇混雜之地殺出自己的生存之道……
汪星人訓(xùn)練營(yíng)
亞歷山德拉·瑪麗亞·拉娜,大衛(wèi)·史崔梭德,安娜·赫爾曼,多加居·雷爾,魯里克·吉斯拉松,Kerim Waller五個(gè)狗主人帶著他們淘氣的狗狗向山中的傳奇老師尋求幫助——但需要接受訓(xùn)練的并不是他們毛茸茸的朋友。
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命玩笑2001
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暗黑子午線
比利·斯洛特,戴夫·戴維斯,詹姆斯·摩西·布萊克一名腐敗的新奧爾良偵探在放風(fēng)時(shí)陷入兩個(gè)犯罪團(tuán)伙之間的戰(zhàn)斗中。為了在夜晚生存下來，他必須找到一名殺手，并在兇手到達(dá)其他目標(biāo)之前將他帶走