濕夢(mèng)：賣身女人

　　阿美（王祖賢 飾）是個(gè)美麗的女孩子，可是天生腳就有殘疾。她的父親（黃霑 飾）因被堂叔欺騙買下了一間破舊不堪的超級(jí)市場(chǎng)，花掉了畢生積蓄的父親變得瘋瘋癲癲的。阿美既要照顧父親，又要幫忙打理超級(jí)市場(chǎng)，生活的重?fù)?dān)落在了她的身上。在一次交通意外中，司機(jī)梁少祖（周潤(rùn)發(fā) 飾）以為自己 把阿美撞至殘疾，十分內(nèi)疚，便決定要幫助阿美經(jīng)營(yíng)超級(jí)市場(chǎng)。阿美一開始并不信任梁少祖，到后來(lái)他聯(lián)合朋友來(lái)幫助自己的超級(jí)市場(chǎng)度過(guò)難關(guān)，心里滿是感動(dòng)，兩人更墜入了愛河。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

 這部1973年的小說(shuō)由安部公房創(chuàng)作，講述了一位無(wú)名男子放棄自己的身份，頭頂一個(gè)大紙箱生活的故事。在東京街頭游蕩時(shí)，他遇到了各種各樣的人物。

　　梅家四姐妹父母早亡，多虧大姐大香（梅艷芳 飾）獨(dú)立經(jīng)營(yíng)點(diǎn)心店，妹妹二香（柏安妮 飾）、三香（陳加玲 飾）和四香（袁潔瑩 飾）才能順利完成學(xué)業(yè)，出落成開朗可愛、美麗動(dòng)人的大姑娘。三個(gè)妹妹吸引來(lái)無(wú)數(shù)的追求者，她們也各自找到了心儀之人。然而梅家有個(gè)不成文的規(guī)定，只有大姐出嫁后三個(gè)妹妹才能順序出嫁，偏偏大香不重儀表，脾氣又壞，男人們唯恐避之不及，這可愁壞了三個(gè)愁嫁的女孩。為了讓姐姐早日找到如意郎君，她們和各自的男友商量幫大香物色一個(gè)合適的對(duì)象?！　∪眯∧腥嗽畈牛ㄔ緜?飾）被女友愛絲（吳君如 飾）拋棄，傷心欲絕之時(shí)，他被三姐妹找來(lái)追求冰山美人大香……