即刻觀影
劇情賞析
編輯推薦
高空求生
威廉·鮑德溫,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
（情歌）
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬被突然的任命令從東京派遣到海外工作的研究員·想太（森崎溫 飾），在曼谷與學生時代一直暗戀的凱（向井康二 飾）再會。看到在泰國作為攝影師兼音樂人活躍的凱的身影，內心產(chǎn)生了動搖。另一方面，小凱也對學生時代唱過的“未完成的歌”感到驚訝。將兩人聯(lián)系在一起的歌聲再次在心中響起……
朱橘
朝代更迭、戰(zhàn)亂四起，國家外臨強敵、內遭瘟疫。流民孤兒顧小樹與王爺世子李逸自幼相伴，情誼深厚。不料王爺突下追殺令，李逸迫于身份，只得暗中護送男主逃離城邦，并忍痛割席斷交反目。男主在林中遭人伏擊，幸得女箭客相救，同時有黑衣人透露其身世線索。為探尋真相，二人結伴踏上旅途，逐步揭開隱藏在追殺令背后的驚天仇恨與隱秘過往。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre一群朋友計劃離開城市去海邊度過一個輕松的周末，但事情發(fā)生了變化，一個年輕女子在一個偏僻島嶼的岸邊向他們揮手求助。伸手救援便是致命的危險，他們不顧一切要逃離小島。
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費爾南多·卡約,里卡多·德巴雷羅卡洛斯在一家銀行支行當總經(jīng)理，最近他正和妻子瑪爾塔鬧別扭。風和日麗的一天，他送兩個孩子馬科斯和莎拉上學，卻發(fā)生了改變他人生命運的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機，一個陌生男人打來電話，號稱卡洛斯的車里被安置了一顆炸彈。而恰在此時，一個神秘的黑衣摩的男尾隨而至。這是一個惡作劇，還是真實的綁架勒索？事情的緣起何故，卡洛斯一家命運又該如何？這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動魄……