獨(dú)自去偷歡
某集團(tuán)老總宋浩賢，年少有為早承父業(yè)，對(duì)公司各方面管理得有條不紊。因?yàn)槭聵I(yè)心大重?zé)o時(shí)刻結(jié)識(shí)異性，由此感情上除了他表妹CANDY一貫暗戀他之外，總數(shù)是一片空白。在一個(gè)晚上的浩賢為避開(kāi)CANDY的癡纏，單獨(dú)駕馭其貴重跑車(chē)前遇見(jiàn)一極具姿色的少女雪兒，浩賢就在那電光火石間被雪兒氣質(zhì)深深招引。浩賢竭力打開(kāi)尋求雪兒，因?yàn)檠﹥菏蔷频旯P(guān)小姐，遭受表妹CANDY的輕視及媽媽對(duì)立，浩賢打破種種艱難，總算..........
劇情簡(jiǎn)介
某集團(tuán)老總宋浩賢，年少有為早承父業(yè)，對(duì)公司各方面管理得有條不紊。因?yàn)槭聵I(yè)心大重?zé)o時(shí)刻結(jié)識(shí)異性，由此感情上除了他表妹CANDY一貫暗戀他之外，總數(shù)是一片空白。在一個(gè)晚上的浩賢為避開(kāi)CANDY的癡纏，單獨(dú)駕馭其貴重跑車(chē)前遇見(jiàn)一極具姿色的少女雪兒，浩賢就在那電光火石間被雪兒氣質(zhì)深深招引。浩賢竭力打開(kāi)尋求雪兒，因?yàn)檠﹥菏蔷频旯P(guān)小姐，遭受表妹CANDY的輕視及媽媽對(duì)立，浩賢打破種種艱難，總算..........
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貘之歌
四個(gè)背景經(jīng)歷各不相同的年輕人在北京的一個(gè)出租屋里喝酒，但因?yàn)橄敕ú灰?，互相有一些矛盾然后打了一架，警察介入，之后結(jié)束。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波影片講述了能源科考隊(duì)冒險(xiǎn)者號(hào)深潛器，在深海海溝執(zhí)行探測(cè)任務(wù)時(shí)，突遭神秘暗流沖擊，墜入了海底未知禁區(qū)內(nèi)，艙內(nèi)四名隊(duì)員失去聯(lián)系，生死未卜。中國(guó)救援隊(duì)青龍?zhí)柵R危受命，奔赴深海緊急救援，一場(chǎng)奇幻震撼的驚險(xiǎn)之旅就此展開(kāi)......
總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德他們——曾經(jīng)執(zhí)掌國(guó)家，如今卻為自已的生計(jì)而忙碌，他們——是不同政黨的對(duì)立方！他們——便是兩個(gè)美國(guó)前總統(tǒng)！由于現(xiàn)任總統(tǒng)把他倆卷入到了一樁丑聞之中，兩個(gè)曾爭(zhēng)吵不休的前任總統(tǒng)不得不走到了一起，走遍全國(guó)尋求證據(jù)以證明自己的清白。一路上趣事不斷，笑料百出，卻也讓他們了解到了真正的美國(guó)，以及自己曾給普通百姓所帶來(lái)的影響。更意想不到的是正當(dāng)他們焦頭爛額、疲于奔命時(shí)，又遭到了一伙武裝分子的連連追殺。。。。。。
忠勇之家
葛麗亞·嘉遜,沃爾特·皮金,特雷莎·懷特,梅·惠蒂,雷吉納德·歐文,亨利·崔佛斯,理查德·內(nèi)伊,亨利·威爾克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫爾穆特·丹丁,約翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗蘭克·貝克故事發(fā)生在一九三九年的夏天，克里姆（沃爾特·皮金 Walter Pidgeon 飾）和妻子米尼佛夫人（葛麗亞·嘉遜 Greer Garson 飾）住在英國(guó)郊外，兩人結(jié)婚多年，生了三個(gè)孩子，生活幸福美滿(mǎn)。克里姆的大兒子韋恩（理查德·內(nèi)伊 Richard Ney 飾）愛(ài)上了花會(huì)創(chuàng)辦人的孫女貝爾（特雷莎·懷特 Teresa Wright 飾），情投意合的兩人很快走到了一起。戰(zhàn)爭(zhēng)開(kāi)始了，韋恩想要為國(guó)效忠，趕往了前線(xiàn)，而克里姆和米尼佛夫人則在后方支援。某日，一名德國(guó)飛行員受傷闖入了米尼佛夫人的后花園，米尼佛夫人憑借著自己的勇敢與智慧協(xié)助警察成功將其捉拿。米尼佛夫人和貝爾小姐在送韋恩前往駐地的途中遭遇了空襲，一時(shí)間兇多吉少。
荷蘭人
安德烈·霍蘭,凱特·瑪拉,斯蒂芬·亨德森,莎姬·貝茲,阿爾迪斯·霍吉,勞倫·E.班克斯,特蕾西·懷爾德,蘭尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托爾恩,凱文·泰勒·羅德里格斯,Hyunmin Rhee,Natasja Naarendorp,邁克爾·勞倫斯,Christopher Batyr,Christopher Cortez Adams,Mounir QuazzaniSet on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.
悄然之星
神樂(lè)坂惠,遠(yuǎn)藤賢司,池田優(yōu)斗,森康子無(wú)數(shù)次的災(zāi)難與戰(zhàn)爭(zhēng)，讓人類(lèi)的數(shù)量銳減，似乎也因此使得宇宙變得更加寧?kù)o。而今人工智能機(jī)器人已在宇宙間占有絕對(duì)的統(tǒng)治地位，人類(lèi)卻只有兩成左右。雖然科學(xué)極大進(jìn)步，可惜人類(lèi)無(wú)法突破壽命的百年限定，他們匆匆而來(lái)，默默而終，不知不覺(jué)走向滅亡。 帶有濃重昭和氣息的宇宙飛船中，生活著編號(hào)為722的人形機(jī)器人鈴木洋子（神樂(lè)坂惠 飾）。她與AI機(jī)器人相伴，永遠(yuǎn)奔波在漫長(zhǎng)的宇宙旅途中。她的日常百無(wú)聊賴(lài)，洗衣服、縫扣子、剪指甲、打掃衛(wèi)生，孤獨(dú)與靜寂永無(wú)止境。洋子是一名宇宙快遞員，她所投遞的貨物卻都是些看似無(wú)關(guān)緊要的小物件。每次投遞需要花費(fèi)數(shù)年時(shí)間，縱使瞬間旅行已成可能，不過(guò)她卻似乎有什么理由消磨這漫長(zhǎng)的時(shí)光。一顆孤獨(dú)的星球上，仿佛被全宇宙所遺忘的人類(lèi)，在破敗的街道上等待著遠(yuǎn)方的造訪(fǎng)……