交換妻子2

? 8.9 播放:77萬(wàn) 2026-04-27
主演:李秀 杜熙 閔瑞娥 

專營(yíng)繪畫的藝術(shù)品商人京秀去評(píng)估委托的畫作,卻不小心損壞了畫作,而畫作的主人昌仁向不知所措的京秀提出了一個(gè)令人玩味的解決方案..

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劇情提要

專營(yíng)繪畫的藝術(shù)品商人京秀去評(píng)估委托的畫作,卻不小心損壞了畫作,而畫作的主人昌仁向不知所措的京秀提出了一個(gè)令人玩味的解決方案..

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

怒襲

前“兵王”阿龍為尋找失蹤女兒,孤身潛入血腥犯罪園區(qū)。從詐騙園區(qū)到器官黑市,他孤身對(duì)抗整個(gè)血腥系統(tǒng),直到與幕后Boss昆麥展開(kāi)最終決戰(zhàn)……