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劇情提要
專營(yíng)繪畫的藝術(shù)品商人京秀去評(píng)估委托的畫作,卻不小心損壞了畫作,而畫作的主人昌仁向不知所措的京秀提出了一個(gè)令人玩味的解決方案..
暗夜精選
愛(ài)的藝術(shù)2020
韓海印,???辣手警花
桑德拉·布洛克,梅麗莎·麥卡西,德米安·比齊爾,馬龍·韋恩斯,邁克爾·拉帕波特,斯波肯·瑞恩斯,邁克爾·麥克唐納,丹·巴克達(dá)爾,比爾·伯爾,杰西卡·查芬,內(nèi)森·科德里,塔蘭·基拉姆,簡(jiǎn)·庫(kù)丁19 十九
錦織一清,東山紀(jì)之,植草克秀,小澤夏木,坂井徹,山本哲平霧人前傳
邁克爾·羅伯特·布蘭登,邁克爾·穆內(nèi),邁克爾·穆內(nèi)不可饒恕2013
渡邊謙,柄本明,佐藤浩市,柳樂(lè)優(yōu)彌,忽那汐里,小池榮子,國(guó)村隼,近藤芳正,小澤征悅,三浦貴大,滝藤賢一熾愛(ài)
卡特琳娜·格蘭厄姆,梅里特·帕特森,塞巴斯蒂安·羅奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大衛(wèi)·劉易斯,Andres Collantes,Chris Cope鳴槍警告
David Spade,詹姆斯·厄爾·瓊斯,弗蘭克·威利同系列推薦
超時(shí)空獵殺
苗韻桐,郝艾莉,張晶浴血黑幫:不朽傳奇
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫(kù)戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆蝸?;@球隊(duì)
透明人出現(xiàn)了
喜多川千鶴,水の江滝子熒屏在發(fā)光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達(dá)琳·賴?yán)?埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅失認(rèn)癥
愛(ài)德華多·諾列加,巴巴拉·戈納加,費(fèi)利克斯·戈麥斯幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
怒襲
前“兵王”阿龍為尋找失蹤女兒,孤身潛入血腥犯罪園區(qū)。從詐騙園區(qū)到器官黑市,他孤身對(duì)抗整個(gè)血腥系統(tǒng),直到與幕后Boss昆麥展開(kāi)最終決戰(zhàn)……