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愛的藝術(shù)
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納北地獵人
柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko Shimozawa月光里的男孩
久美江措,更旦,尕瑪久美,尼瑪頌宋,西然仁杰,尕瑪文加,文秀求珍,達(dá)杰丁增,更卻東周瘋狂的兔子
柳田,趙夢洋,陳述,崔岳,黃迎,常藍(lán)天與王生活的男人
柳海真,樸志訓(xùn),劉智泰,田美都,李浚赫,樸智煥,金旻旅行的機(jī)器人
山寺宏一,林原惠美同類推薦
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法國鄉(xiāng)野荒原，米卡與丹懷揣夢想?yún)s厄運(yùn)纏身。當(dāng)?shù)ぴ俅胃阍乙磺?，兩人被迫投奔發(fā)跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們，必須找到出路：逃離此地、擺脫麻煩、沖破生存困境。
大明嬪妃之爭寵
宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍大婚之夜，太子獨(dú)自喝醉，留下姚芊芊盛裝獨(dú)坐到天亮。太子本宣蘭心侍寢，卻傳來畫室失火的消息，太子走后，蘭心因為擔(dān)心張清遠(yuǎn)也尾隨而去，卻被張清遠(yuǎn)告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯誤時間，致使蘭心在雪中凍了一夜，被太子發(fā)現(xiàn)救回。 姚芊芊跟鄭貴妃抱怨遭冷落，正逢三皇子前來，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時間宣布自己有孕?！ 〗鸨态幰虮灰奋氛茡澏c蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因為想爭寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫(yī)醫(yī)治，原來，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來，一切都是姚芊芊與金碧瑤的詭計。而金碧瑤也因為太子中毒認(rèn)清了姚芊芊的真面目。 鄭貴妃拷打蘭心，逼她簽寫敗壞太子聲譽(yù)的供詞，蘭心誓死不從。關(guān)鍵時刻，太子及時趕到并帶走蘭心，卻在路上暈倒，蘭心感動不已?！ ∫奋肥召I了丫鬟向張清遠(yuǎn)報信，讓他以為蘭心被太子害死，并用調(diào)虎離山計調(diào)離了蘭心。蘭心在路上感覺不對，匆匆往回趕，正好看見張清遠(yuǎn)持刀向太子刺去。蘭心以身相代，并控制不住問張清遠(yuǎn)為何不守信約，張清遠(yuǎn)卻因為刺中蘭心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來，又為何獨(dú)自在雪中待了一夜?！ √m心幸好沒有被刺中要害，活了下來。太子正想審訊張清遠(yuǎn)，卻已發(fā)現(xiàn)張清遠(yuǎn)吊死在橫梁上，并留下了給蘭心的生死訣別書。
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術(shù)，復(fù)活被斬首的妹妹，在暗影涌動的瘟神廟中，設(shè)下詭局，審判真正的惡人，求一份清白與公道。 影片根據(jù)短篇小說《古廟夜譚》改編。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster