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烏龍?zhí)毓?/h3>道恩·強(qiáng)森,凱文·哈特,艾米·萊安,丹尼爾·尼科萊特,杰森·貝特曼,亞倫·保爾,瑞恩·漢森,蒂姆·格里芬,托馬斯·克萊舒曼,梅根·帕克
分秒之間
瑞切爾·布萊克,蘇茜·波特,文斯·科洛斯莫,馬丁·薩克斯,蘇珊·普賴爾,megan dale,麗莎·凱,greta carew-johns全力奔跑
河錫辰,金多賢,李信永,尹書彬血屋之謎
猩球崛起3:終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達(dá)爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯開著我的房車去旅行
秦宇,李芷珺,姿娜,王坤炎同類推薦
復(fù)仇雙雄
奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事圍繞墨西哥特種部隊(duì)精英卡洛斯(綽號(hào)“公?!保┱归_,他在一次任務(wù)中成功抓獲了犯罪集團(tuán)頭目,卻因此遭到報(bào)復(fù),妻子在他面前被殘忍殺害,自己也淪為通緝犯。走投無路之際,他意外中了彩票頭獎(jiǎng),一夜之間擁有了復(fù)仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手,將全部財(cái)富轉(zhuǎn)化為武器和情報(bào),從被通緝的逃犯,變成了以暴制暴的“復(fù)仇獵人”,目標(biāo)是讓所有參與殺害他妻子的人,付出最慘痛的代價(jià)。
1922
托馬斯·簡(jiǎn),莫莉·帕克,迪蘭·施密德,凱特琳·伯納德,尼爾·麥克唐納,坦婭·錢普,布萊恩·達(dá)西·詹姆斯,鮑勃·弗雷澤,埃里克·李塞德,皮特·紐,布魯斯·布萊恩,格雷姆·達(dá)菲故事講述了一個(gè)簡(jiǎn)單又驕傲的牧場(chǎng)主,為了經(jīng)濟(jì)利益和兒子一起謀殺了妻子。而在埋葬其尸體時(shí),他發(fā)現(xiàn)自己被老鼠恐嚇,并確信妻子并沒有放過他!
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
請(qǐng)求救援
瑞秋·麥克亞當(dāng)斯,迪倫·奧布萊恩,布魯斯·坎貝爾,丹尼斯·海斯伯特,澤維爾·塞繆爾,吳育剛,艾瑪·雷米,Edyll Ismail,塔內(nèi)·瓦拉庫努婁,布拉德·弗萊特當(dāng)求生變成獵殺,誰會(huì)是最終的幸存者??jī)擅略陲w機(jī)失事后,成為唯一幸存者并困在荒島上。他們必須放下過往恩怨、共同求生,但最終演變成一場(chǎng)不安又黑色幽默的意志與智慧對(duì)決……
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時(shí),不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的,他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控,他們才驚覺——監(jiān)視他們的,遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…