鴨之一族

為了考驗(yàn)自己的極限，莎夏（查理茲·塞隆 飾）深入偏僻無情的澳洲荒野，卻發(fā)覺自己不只必須在嚴(yán)苛環(huán)境中奮勇求生，還得對抗一名殘忍又危險的惡徒（塔倫·埃哲頓 飾）。

　　九個朋友，去森林露營過程中他們經(jīng)歷了一個瘋狂的奪命之夜。派對醒來時，九個人胸前綁著自殺式炸彈，倒計(jì)時鐘上都有不同的時間。當(dāng)他們發(fā)現(xiàn)可以通過殺死對方來“占用”對方的時間時，自相殘殺開始了。

　　丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅，卻在此地慘遭殺害，所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠椋驗(yàn)樘┑抡窃撛旱囊幻t(yī)生。然而，案發(fā)后不久，嫌疑人就被發(fā)現(xiàn)死亡。一年后，丹妮的雙胞胎盲妹達(dá)茜（Darcy），一個自稱通靈者和詛咒物品收藏家的人，意外拜訪了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多，因此她帶來了她收藏的最危險的詛咒物品，以幫助她復(fù)仇。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster