淫娃終結(jié)者
未來的世界由于人口膨脹，政府實(shí)行計(jì)劃生育，男女之間不允許發(fā)生性關(guān)系，只有政府的電腦配對出來的才可以搞搞，而且目的必須是生殖下一代，而不是享樂。; 但是，一個(gè)具有反抗性的女子出現(xiàn)了，她帶領(lǐng)抵抗組織違反政府禁令，隨便和男人ML，抵抗組織的規(guī)模也越來越大。 政府于是派出一個(gè)y-賤終結(jié)者：女機(jī)器人，回到20世紀(jì)，想找到抵抗領(lǐng)袖的爸爸，通過ML把他搞成陽痿，于是就生不出未來領(lǐng)袖。太陰險(xiǎn)了，太毒辣了！且慢，抵抗組織也不是省油的燈，她們也派了抵抗戰(zhàn)士回到20世紀(jì)，要在歷史上決一死戰(zhàn)。
播放通道
詳細(xì)簡介
同類推薦
特殊檢測
《特殊檢測》是由成都光影紀(jì)元影視文化傳媒有限公司申報(bào)的科幻題材網(wǎng)絡(luò)電影
馬騰你別走
林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍沒錢沒愛還沒心沒肺的馬騰（林更新 飾）人近中年一事無成，是旁人眼里公認(rèn)的“廢柴”！鋼廠退休骨干老林（李幼斌 飾）遵守鐵打的紀(jì)律活了一輩子本該安享晚年，身體和心理卻雙雙“亮起紅燈”！本無生活交集的兩人因?yàn)橐粓鐾岽蛘淖o(hù)工面試相遇，展開了一段啼笑皆非的有趣互救。老林為求解脫，將“協(xié)助自殺”的希望寄托在這個(gè)不靠譜的護(hù)工身上。馬騰雖然想賺錢完成女兒的心愿，但無膽害命，只能發(fā)揮自己的樂觀心態(tài)在日常中提供情緒價(jià)值給老林。二人在一段特殊的旅途中建立起生死友誼，于病痛與死亡的陰影里找到了活下去的小小微光，攜手大膽迎接未知的生活。
被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯本片根據(jù)艾德加·賴斯·巴勒斯的小說改編而成。講述的是第一次世界大戰(zhàn)期間，一艘德國潛艇在撞沉一艘英國人的船以后，救起了幸存者。但是這艘潛艇開錯(cuò)了方向，將這些幸存者帶到了一片未知的土地上。那里，棲息著大量的恐龍和穴居人。他們能順利地重返家園嗎？
母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯第二次世界大戰(zhàn)期間，一個(gè)被困在菲律賓的年輕女孩發(fā)現(xiàn)，她保護(hù)她垂死的母親的責(zé)任，因?yàn)樗e(cuò)誤地信任一個(gè)迷人的食肉仙女而變得復(fù)雜。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster