透明人倒霉的性事

4.7 播放:57萬 更新:2026-04-29
主演: Scott Coppola ... Norman Parent 

內(nèi)容大概是一男主角遭女友拋棄,事業(yè)亦不如意。后無意中得以隱形,并因此認(rèn)識(shí)女主角。后該男主角隱形與女主角ML,同時(shí)其原女友與其現(xiàn)男友也同場較技The Erotic Misadventures of the Invisible Man   

即刻觀影

劇情賞析

內(nèi)容大概是一男主角遭女友拋棄,事業(yè)亦不如意。后無意中得以隱形,并因此認(rèn)識(shí)女主角。后該男主角隱形與女主角ML,同時(shí)其原女友與其現(xiàn)男友也同場較技The Erotic Misadventures of the Invisible Man   

編輯推薦

邪完再邪

劉丹,羅莽,劉藍(lán)溪,朱客

  桂治洪“邪”三部曲之末。  人鬼能否相戀?一只女鬼愛上了年輕英俊的馬素(羅莽 飾),于是找到她的父親幫她提親。馬素得知后嚇得魂不附體,毅然拒絕。可是女鬼并沒放棄,她得知馬素暗戀漂亮女孩紅卜卜,于是設(shè)法讓紅卜卜死于車禍,然后借尸還魂。馬素見到暗戀已久的女孩主動(dòng)投懷送抱,喜不自勝,兩人開始了一起生活。生活中每當(dāng)馬素有什么不如意,女鬼都會(huì)運(yùn)用自己的能力幫他排憂解難。但天下沒有不透風(fēng)的墻,馬素終于知道了戀人原來是那只喜歡自己的女鬼……

外星精神病

Steve Baran,Jackson Berlin,Lee Tomaschefski

  Ryan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人,他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個(gè)腐敗的警察,她的丈夫一直在為這個(gè)國家服務(wù),她一直在幫她。瑞恩和托尼從來都不喜歡對(duì)方,而托尼試圖干涉他們的婚姻,事情變得激烈起來。但是,當(dāng)瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手,外星人和其他奇怪生物的閃光和幻影時(shí),他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起,對(duì)丈夫的行為深表擔(dān)憂。隨著歲月的流逝,瑞恩很快就會(huì)發(fā)現(xiàn)他的噩夢(mèng)在他身上縈繞著什么邪惡的存在。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

葉甫蓋尼·奧涅金

弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達(dá)耶娃

葉甫蓋尼·奧涅金的生活很奢華:舞會(huì)、招待會(huì)、戲劇首演以及首都能為年輕人提供的其他娛樂活動(dòng)。但社交生活早已讓他疲憊不堪,因此他認(rèn)為住在村里的叔叔生病的消息是一個(gè)逃離令人厭惡的世界的機(jī)會(huì)。然而,到了莊園后,奧涅金得知一個(gè)親戚去世了,但這并沒有讓葉甫蓋尼太難過。他的經(jīng)濟(jì)狀況非常糟糕,叔叔很有錢,卻沒有其他繼承人。奧涅金把自己關(guān)在莊園里,避開鄰居,鄰居們很快就開始稱他為怪人。葉甫蓋尼過著漫無目的的孤獨(dú)生活,直到從國外回來的莊園主人出現(xiàn)在鄰近的莊園--一個(gè)年輕、熱情、對(duì)生活尚未滿足的連斯基,他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。

春娥

李心敏,李迎旗,許劍,陳燕伊

 在通往村東頭的一條田間小路上,剛從縣城回來的侯家二小子侯保見把自行車騎得飛快??斓酱蹇跁r(shí),保見順便看了一眼在瓜地看瓜的木倉大叔后,急不可待地來到春娥家,擁吻著春娥就往里屋走。自從正月十五看花燈時(shí)和春娥好上后,在縣城幫老大看飯館的保見就像丟了魂似地隔三差五就往家里跑。春娥是個(gè)命苦的女人。結(jié)婚不到二年,丈夫就死了,兒子馬駒都快五歲還不會(huì)說話。丈夫死后,漂亮賢惠的春娥里里外外一把手,既操持著家務(wù),還把老公公木倉爹侍侯得就如同自己的親爹一樣。木倉大叔也是一個(gè)通情達(dá)里的人。兒子死后,木倉大叔就搬出門,帶著不會(huì)說話的小孫子馬駒,一心撲在村頭的瓜地里。其實(shí),木倉大叔這樣做也有他另一層心思,那就是木倉大叔理解作為一個(gè)女人的苦。畢竟紙里包不住火。保見來的次數(shù)多了,從家里跑到瓜地的看家狗“利來”的異常引起了木倉大叔的警覺。終于,春娥和保見的事被木倉大叔發(fā)現(xiàn)。這種事要放在別人肯定不會(huì)輕饒,但木倉大叔理解兒媳婦春娥的苦。既然生米煮成了熟飯,春娥和保見的事在村主任的撮合和主持下,一個(gè)簡單的婚禮算是成全了一對(duì)有情人的姻緣。春娥嫁到老侯家后,因?yàn)楸R姾ε滤木壒?,再加上春娥又是一個(gè)寡婦,所以在侯家過著忍氣吞聲的日子。但這一切并不防礙春娥和保見的恩愛。平常的日子里,春娥擔(dān)負(fù)起一個(gè)家庭主婦的重?fù)?dān),在保見爹挑剔的眼光下,百般小心地盡著一個(gè)為人兒媳婦的責(zé)任。除此之外,春娥還得隔三差五地回木倉大爹家,給木倉爹漿洗衣服、收拾家務(wù)、做一頓熱飯。春娥的苦,春娥自己不說木倉爹也看在眼里。春娥畢竟不是自己的親閨女,有些話不好明說,保見又因?yàn)楹ε滤桓艺f出來。就這樣,春娥常常為了家庭的和睦忍氣以淚洗面。時(shí)間長了,心疼媳婦的保見最終與他爹鬧翻。保見爹因私放高利貸被警察詢問后,春娥把兒子馬駒從瓜地里接回了家??傻却憾鹪俅位毓系亟o木倉爹送飯時(shí),木倉爹在勞累過度中沉然睡去,就再也沒有醒來。春娥和保見就著瓜地里的一塊空地,披麻戴孝地下葬了木倉爹。堆起的新墳前,春娥讓兒子馬駒跪下給爺爺磕頭的那一刻,瓜地里一顆熟透的西瓜“噶”地一聲裂成兩半,西瓜裂開處,瓜瓤鮮紅、瓜子如墨。

贖命

Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陳奕迅,Lee Perkins

  少女凱特(萊斯利-安妮·哈芙 Leslie-Anne Huff 飾)擁有一種神奇的能力,隨便什么人,她只要看上一眼,便能知道他的死期為何時(shí)。一次偶然中,凱特遇見了名為杰森(Anthony Chaput 飾)的男子,凱特發(fā)現(xiàn)杰森擁有能夠在死后和現(xiàn)世交流的能力,并且,杰森的死期就在幾個(gè)小時(shí)之后。一直想要知道死后世界是什么模樣的凱特?cái)[脫杰森在死后同她聯(lián)絡(luò),杰森興然應(yīng)允?! 」唬芸旖苌闼懒?,在臨死之時(shí),一副詭異恐怖的畫面出現(xiàn)在了杰森的眼前。之后,凱特果然接到了杰森來自“陰間”的電話,根據(jù)杰森的指使,凱特需要前往香港,在那里,一位名叫達(dá)倫(陳奕迅 飾)的酒保正在等她。