華麗的出軌
韓國(guó)女星金善英在主演的電影《華麗的外出》中，與19歲的純情小年（邊俊錫飾）上演火辣激情戲。近日該片的海報(bào)和劇照在網(wǎng)上大量曝光，她緊摟小年的脖子，2人大膽全裸上陣，并展現(xiàn)出色的表情演技，相當(dāng)引人遐思，另外，該片也號(hào)稱是“韓國(guó)史上第一部19禁電影”。金善英在近日曝光的《華麗的外出》海報(bào)中，大尺度的裸身拍攝，引起外界熱烈討論，劇照中，則僅用一本書遮掩私密處，與男演員上演各種親熱畫面，散發(fā)出性感魅力，引發(fā)不少男性觀眾的高度關(guān)注，據(jù)悉，該片是韓國(guó)成人電影《個(gè)人授課》的完結(jié)篇。
劇情簡(jiǎn)介
韓國(guó)女星金善英在主演的電影《華麗的外出》中，與19歲的純情小年（邊俊錫飾）上演火辣激情戲。近日該片的海報(bào)和劇照在網(wǎng)上大量曝光，她緊摟小年的脖子，2人大膽全裸上陣，并展現(xiàn)出色的表情演技，相當(dāng)引人遐思，另外，該片也號(hào)稱是“韓國(guó)史上第一部19禁電影”。金善英在近日曝光的《華麗的外出》海報(bào)中，大尺度的裸身拍攝，引起外界熱烈討論，劇照中，則僅用一本書遮掩私密處，與男演員上演各種親熱畫面，散發(fā)出性感魅力，引發(fā)不少男性觀眾的高度關(guān)注，據(jù)悉，該片是韓國(guó)成人電影《個(gè)人授課》的完結(jié)篇。
為你推薦
女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實(shí)與她們的信仰相協(xié)調(diào)。通過背景故事，我們看到一個(gè)婦女社區(qū)聚集在一起，研究如何共同前進(jìn)，為她們自己和她們的孩子建立一個(gè)更美好的世界。要么留下來戰(zhàn)斗，要么離開。她們不會(huì)什么都不做。
詛咒項(xiàng)鏈
維奧萊特·麥格勞,瑪?shù)铝铡湼駝?亨利·托馬斯,莎拉·林德,羅馬·瑪菲婭,菲利斯·索利斯,雅各布·莫蘭,克里斯蒂娜·摩爾,Archer Anderson,Amato D'Apolito,Connor Hammond,馬特·福勒,丹妮拉·麥斯米蘭,阿里·阿夫沙爾,Brynne Kurland,羅琳·約克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine CurryFamily navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny艾娃（黛西·雷德利 飾）是一名絕望的婦女，她的丈夫在一次災(zāi)難性軍事實(shí)驗(yàn)后失蹤，她加入了一個(gè)“尸體搜尋小組”，但當(dāng)她埋葬的尸體開始出現(xiàn)生命跡象時(shí)，她的搜尋工作發(fā)生了令人毛骨悚然的轉(zhuǎn)變。
推理要在晚餐后 電影版
櫻井翔,北川景子,椎名桔平,中村雅俊,櫻庭奈奈美,要潤(rùn),鹿賀丈史,黑谷友香,甲本雅裕,大倉孝二,兒島一哉,村川繪梨,團(tuán)時(shí)朗,六角精兒,田中要次,伊東四朗,生瀨勝久,竹中直人,宮澤理惠帶薪休假的寶生家族千金小姐麗子（北川景子 飾），好不容易和管家影山（櫻井翔 飾）乘直升飛機(jī)趕上了開往新加坡的公主麗子號(hào)豪華游輪。她在船上意外見到上司——警視廳國(guó)立署警部風(fēng)祭京一郎（椎名桔平 飾），原來風(fēng)祭奉市長(zhǎng)之命護(hù)送純金打造的K獅前往獅城。豪華一流的配套服務(wù)，讓游客們樂享其中?？删驮谌挤艧熁鸬囊雇恚幻凶拥氖w落入海中，引起不小的恐慌。在此之后，風(fēng)祭、麗子、影山聯(lián)合起來展開調(diào)查，而犯罪分子也以全體船員的性命相要挾禁止與外界聯(lián)系?！ 〗佣B三有人遇害，時(shí)間則一分一秒地流逝，影山他們能否解開兇險(xiǎn)的謎題？
自殺森林
娜塔莉·多默爾,泰勒·金尼,歐文·馬肯,斯蒂芬妮·沃格特,小澤征悅,Rina Takasaki,櫻井北子,Y?ho Yamashita,藤本政志生活在美國(guó)的莎拉·普斯（娜塔莉·多默爾 Natalie Dormer 飾）近日來心神不寧，她有一個(gè)孿生妹妹杰西（娜塔莉?多默爾 Natalie Dormer 飾）在日本擔(dān)任外教。然而杰西突然下落不明，莎拉拜托山梨縣警方幫助搜查，最終得到的結(jié)果是杰西可能進(jìn)入了擁有“自殺勝地”之稱的青木原森林自我了斷。莎拉絕不認(rèn)同警方的推測(cè)，她不顧男朋友的阻攔，獨(dú)自踏上前往日本的旅途。她最先來到了妹妹任教的學(xué)校，在調(diào)查未果之后乘上了前往青木原森林的列車。他人的勸阻無法攔住莎拉的腳步，她朝向森林深處走去?！ ≡谶@一過程中，恐怖詭異的經(jīng)歷交替襲來……
絕錄求生
吳超,孫驍瀟,吳楚,馮波,王思思,安琥,國(guó)慶,劉波現(xiàn)場(chǎng)網(wǎng)的馬楠（孫驍瀟 飾）和小魚（吳楚 飾）是一對(duì)相戀多年的情侶，馬楠不久在郊外購(gòu)得一處房產(chǎn)，剛好又趕上小魚的生日。于是他叫來同事兼好友張博（吳超 飾）、吳曉（馮波 飾）、龍梅（王思思 飾），為小魚策劃了一次生日派對(duì)，并計(jì)劃向小魚求婚。除了曾與小魚有過露水因緣張博外，整晚的派對(duì)都在歡快的氣氛下進(jìn)行。馬楠家隔壁住著一對(duì)經(jīng)常吵架的夫妻，異常聒噪的吵鬧聲引起吳曉等八卦女的好奇，她們結(jié)伴來到隔壁一探究竟，卻意外發(fā)現(xiàn)恐怖血腥的殺人現(xiàn)場(chǎng)?！ ≡揪妥粝∩俚墓?，此時(shí)仿佛變成一座巨大的鬼屋。不斷閃爍的燈光，凄厲刺耳的尖叫聲以及喪心病狂的殺人者。一種如瘟疫般的病毒在公寓內(nèi)肆意蔓延……