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劇情提要
別名 Learning to Lie 這是一部有關男人成長的藝術電影。也有人把其稱作德國版的;美國派故事從1982年的德國講起,即將走出校園的少年赫爾穆,喜歡上了少女布麗塔,于是,兩個同樣渴望愛的少男少女走到了一起,在圣誕夜的親密接觸后,布麗塔告別了赫爾穆去了美國讀書,悵然若失的赫爾穆感到十分彷徨,他開始主動接觸身邊的女孩,一段風流日子后,一切都成為過去,隨著閱歷的豐富,父母的離異,蒂娜的真情,讓他變得成熟了,也懂得了什么是自己真正的需要。
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王璐幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
宇宙毀滅記
一顆神秘小行星接近地球,后墜入海中,不想其實際上是外星的自動侵略武器,專門吸食地球的資源和電量,更可怕的是如果不能摧毀這個武器,還會有更多的外星武器來到地球。。