在線看
同款熱播
精靈寶可夢(mèng)：去往超克的時(shí)空
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統(tǒng)子,真堂圭,三宅健太,逢坂力,中西英樹,川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運(yùn)升,秋山龍次,馬場(chǎng)裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏以成為神奇寶貝大師為目標(biāo)，小智（松本梨香 配音）、小剛（うえだゆうじ 配音）和小光（豊口めぐみ 配音）帶著各自的神奇寶貝在世界各地進(jìn)行艱苦的修業(yè)之旅，今天他們歷經(jīng)長途跋涉終于來到了風(fēng)景秀美的米琪亞鎮(zhèn)。在當(dāng)?shù)匾粚?duì)小兄妹的介紹下，小智一行前往神殿遺址游玩。誰知卻遭遇了極其危險(xiǎn)的情況。關(guān)鍵時(shí)刻，掌管時(shí)間的迪亞魯加和守衛(wèi)神殿的西娜（北乃きい 配音）、凱賓（岸祐二 配音）幫助了他們，能與神奇寶貝心靈溝通的西娜還熄滅了冥王龍的怒火。從西娜口中得知，創(chuàng)造了世界的神奇寶貝即將蘇醒，它不僅會(huì)使時(shí)空扭曲錯(cuò)亂，還將為世界帶來毀滅性的災(zāi)難…… 本片為神奇寶貝系列第十二部電影劇場(chǎng)版。
余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯影片講述一個(gè)導(dǎo)演，克服了各種困難拍攝一部講述羅馬尼亞獨(dú)立戰(zhàn)爭(zhēng)大片的故事，值得一提的是，這部影片就是羅馬尼亞1912年拍攝的第一部電影史詩——《獨(dú)立戰(zhàn)爭(zhēng)》?！队嘞碌木褪浅聊繁M管根據(jù)真人真事改編，但是男主角電影導(dǎo)演卻是虛構(gòu)的，他為了拍電影一方面要籌募資金，另一方面還要提防一家法國電影公司竊取他的創(chuàng)意。該片公映后好評(píng)如潮，一舉囊括了2009年羅馬尼亞GOPO電影獎(jiǎng)最佳影片、最佳編劇、最佳女主角等九項(xiàng)大獎(jiǎng)，被譽(yù)為羅馬尼亞近二十年最出眾的影片之一。
牙仙歷險(xiǎn)記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴(yán)苛傳統(tǒng)的世界。在一次冒險(xiǎn)中，他遇見了世界上最可愛的小巨魔，以及擁有科學(xué)天賦、勇敢無畏的小妖精。三個(gè)小小生物從此展開旅程，努力聯(lián)合各自的王國，同時(shí)躲避心懷不軌、蠢蠢欲動(dòng)的蜘蛛威脅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
這么遠(yuǎn)那么近
樸浩山,宋再臨,高恩敏一位外向、人緣好的酒吧老板，雖然平日喜歡與人群為伍，內(nèi)心深處卻一直隱藏著對(duì)十年前逝去戀人的細(xì)膩思念。每當(dāng)他遇見容貌神似她的女子，總是不自覺地駐足凝望，深陷于回憶的漩渦中。
無限：未知對(duì)象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir HartJane is trapped in an unknown world with endless possibilities. She has to discover a way to access them and alter her reality before she is destined to repeat the same test over and over again, Ad Infinitum.