老板娘的失魂旅館

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　身形健碩的德里克·湯普森（巨石·強森 Dwayne Johnson 飾）是一個作風(fēng)粗暴的職業(yè)冰球手，由于經(jīng)常打掉別人的牙齒，因此他在場上得了“牙仙”的綽號。正所謂風(fēng)云變幻，時代更迭，隨著才俊新秀的涌現(xiàn)，德里克也漸漸成為一名過氣的板凳選手。狂放自負(fù)的他必定心情極度失落，故而經(jīng)常用冰冷的語言打碎別人的夢想?！　〉吕锟说呐芽ɡ颍ò怖颉べZ德 Ashley Judd 飾）有一雙可愛的兒女，小女兒剛好處在換牙期，對神秘的牙仙還充滿遐想。此時德里克的老毛病又犯了，一心希望向女孩講述牙仙并不存在的真相。他的粗暴做法惹來了麻煩，牙仙大陸的負(fù)責(zé)人莉莉（朱麗·安德魯斯 Julie Andrews 飾）將他變?yōu)橐粋€身長翅膀、手持魔杖、衣著短裙的牙仙女，在接下來的兩周里，他將被迫以這身裝扮為孩子們帶去祝?！?/p>

　　春日部防衛(wèi)隊在“春日部兒童娛樂節(jié)”舞蹈比賽中，獲得勝利，他們因此得到了前往印度的機會。在盡情享受印度旅游的過程中，小新和阿呆進(jìn)入了一家神秘的雜貨店，在那里發(fā)現(xiàn)了一個形狀像“鼻子”的背包并買下了它。然而，這個背包隱藏著一個非常可怕的秘密。

　　影片講述了哈維無意中發(fā)現(xiàn)了多年前連環(huán)殺手十二宮自拍的殺人錄像，他聯(lián)系好友決定報警并平分十萬美金的懸賞，不料當(dāng)夜殺手便將他們盯上，一場屠殺即將開始。