兩性奧秘

2.6 播放:10萬 更新:2026-05-02
主演: 未知

本部紀(jì)錄片以真人現(xiàn)實中生活進行科學(xué)測試,講述男性與女性之間性的奧秘,揭秘兩性之間令人吃驚的真正區(qū)別。本節(jié)目共分為第一集《腦性別》、第二集《吸引力》和第三集《愛》三個部分,分別從男女大腦構(gòu)造的不同、異性相吸的大腦秘密和人類大腦中的愛情生產(chǎn)線三個方面來講述兩性之間的奧秘。本部紀(jì)錄片讓我們意識到,男性與女性之間的區(qū)別從人類誕生時已產(chǎn)生,而我們要做的就是重新定義兩性的概念與找到兩性差異下為之平衡的方法。

即刻觀影

劇情賞析

本部紀(jì)錄片以真人現(xiàn)實中生活進行科學(xué)測試,講述男性與女性之間性的奧秘,揭秘兩性之間令人吃驚的真正區(qū)別。本節(jié)目共分為第一集《腦性別》、第二集《吸引力》和第三集《愛》三個部分,分別從男女大腦構(gòu)造的不同、異性相吸的大腦秘密和人類大腦中的愛情生產(chǎn)線三個方面來講述兩性之間的奧秘。本部紀(jì)錄片讓我們意識到,男性與女性之間的區(qū)別從人類誕生時已產(chǎn)生,而我們要做的就是重新定義兩性的概念與找到兩性差異下為之平衡的方法。

編輯推薦

朝圣

柳西亞·加西亞,米奇·馬丁,特里斯坦·烏羅阿,何塞·安赫爾·艾力格,莎拉·卡薩斯諾瓦斯,米麗亞姆·加列戈,珍妮特·諾瓦斯,席琳·蒂爾,米奇·羅布萊斯,塞爾吉奧·昆塔納,大衛(wèi)·薩拉伊瓦

  從小失去雙親的瑪麗娜18歲了,為了申請獎學(xué)金,她必須離開養(yǎng)父母,前往大西洋海岸,從她從未謀面的祖父母處獲得簽名。新姨媽、叔叔、堂親,她在眾多新家人間周旋,不確定自己是會被接納還是排斥。這段旅途喚醒了瑪麗娜塵封已久的情感,揭開家族往昔的隱秘創(chuàng)傷,她由此拼湊起那些支離破碎、往往矛盾的記憶碎片,試圖重現(xiàn)她幾乎遺忘的父母身影。

我的生命之光

卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯

  影片故事講述一名父親傾盡所有去保護自己的女兒。

好孩子2025

許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶

變裝皇后家好與家人疏離,因媽媽罹患失智癥需貼身照顧,才久違回了家。母親記憶力衰退,不斷提起家好童年軼事,耿耿于懷。有次家好忘記卸妝被母親撞見,為安撫她,只好謊稱自己是母親失散多年的女兒,怎料母親信以為真,令家好展開一段療愈原生家庭創(chuàng)傷之旅。到底家好是否可以月圓?王國燊繼《男兒王》又一變裝皇后力作,聯(lián)同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳,將新加坡變裝皇后Sammi Zhen真實故事搬上大銀幕。

遇事別沖動

鹿超,宋杰,宋媛

一塊寶地遭人惦記、一枚軍功章引賊來、十萬現(xiàn)金不翼而飛,夜半老漢離奇昏迷,三名陌生男子橫躺家中。是陰謀?是誤會?層層烏龍背后,深藏的是榮譽執(zhí)念與親情渴望。當(dāng)真相揭開,一切竟源于最樸素的執(zhí)念與最陰差陽錯的誤會……榮譽與親情,最終將如何安放?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

狼蛛

約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德

  本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運?! 〗?jīng)典科幻片,強烈推薦!