一個(gè)女人的身份證明

? 5.7 播放:04萬 2026-04-24

電影導(dǎo)演尼科洛法拉剛剛離婚,創(chuàng)作上又遇到了危機(jī)。他和一個(gè)叫馬維的女孩交往,有個(gè)男人也在追求著馬維。尼科洛正在準(zhǔn)備拍攝一部愛情片,但卻始終無法選出女主角。他和馬維為了躲避另外男人的追蹤,開車前往鄉(xiāng)下,但他和馬維都搞不清楚兩人的感情和關(guān)系。馬維后來卻失蹤了,尼科洛怎么也找不到。 尼科洛繼續(xù)尋找女主角,遇到了伊達(dá),兩人開始交往。尼科洛給伊達(dá)講了很多自己和別人的故事,也談到了馬維。伊達(dá)幫尼科洛找到了馬維的地址,但尼科洛很麻煩地找到馬維時(shí),卻發(fā)現(xiàn)她已經(jīng)和另一個(gè)女孩住在一起。 尼科洛和伊達(dá)結(jié)了婚,兩人去度蜜月,來到冬天陰冷寂寞的海邊。尼科洛說,他要的就是孤獨(dú)。兩熱回到旅館,伊達(dá)街道消息,她懷孕了,但孩子卻不是尼科洛的。尼科洛離開伊達(dá),一個(gè)人回到房間,坐在窗臺(tái)上,想到自己就象是一個(gè)小星球,在宇宙中飛翔,前往太陽(yáng)系去看物質(zhì)是怎樣分配的。   

在線觀看

? 播放 一個(gè)女人的身份證明

劇情提要

電影導(dǎo)演尼科洛法拉剛剛離婚,創(chuàng)作上又遇到了危機(jī)。他和一個(gè)叫馬維的女孩交往,有個(gè)男人也在追求著馬維。尼科洛正在準(zhǔn)備拍攝一部愛情片,但卻始終無法選出女主角。他和馬維為了躲避另外男人的追蹤,開車前往鄉(xiāng)下,但他和馬維都搞不清楚兩人的感情和關(guān)系。馬維后來卻失蹤了,尼科洛怎么也找不到。 尼科洛繼續(xù)尋找女主角,遇到了伊達(dá),兩人開始交往。尼科洛給伊達(dá)講了很多自己和別人的故事,也談到了馬維。伊達(dá)幫尼科洛找到了馬維的地址,但尼科洛很麻煩地找到馬維時(shí),卻發(fā)現(xiàn)她已經(jīng)和另一個(gè)女孩住在一起。 尼科洛和伊達(dá)結(jié)了婚,兩人去度蜜月,來到冬天陰冷寂寞的海邊。尼科洛說,他要的就是孤獨(dú)。兩熱回到旅館,伊達(dá)街道消息,她懷孕了,但孩子卻不是尼科洛的。尼科洛離開伊達(dá),一個(gè)人回到房間,坐在窗臺(tái)上,想到自己就象是一個(gè)小星球,在宇宙中飛翔,前往太陽(yáng)系去看物質(zhì)是怎樣分配的。   

暗夜精選

魔法壞女巫

辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?!に谷R特,瑪麗莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,楊伯文,布朗溫·詹姆斯,伊迪娜·門澤爾,克里斯汀·肯諾恩斯,基拉·塞特爾,莎倫·D·克拉克,科林·邁克爾·卡邁克爾,亞當(dāng)·詹姆斯,愛麗絲·費(fèi)恩,詹娜·博伊德,肖恩·普倫德加斯特,亞倫·張,Lexi Lancaster,Arlo Turner

開放日

Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica Collins

異次元駭客

克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費(fèi)奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達(dá),施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P

光榮何價(jià)

大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達(dá)·狄龍

次世代機(jī)動(dòng)警察:首都決戰(zhàn)

真野惠里菜,福士誠(chéng)治,筧利夫,太田莉菜,千葉繁

喪尸出籠:血脈

Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan

捆綁上天堂

倪妮,周游,廖凡

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

武器之刀光劍影

大革族四大勇士之元泰、勇士昆布倒戈賣國(guó)投降,元泰引西暌族和南離皇族聯(lián)軍攻革,大革族族皇自殺身亡!蔡八兒提著七孔刀逃亡,在山林里救了被狼群養(yǎng)大的小男孩,蔡八兒為小男孩取名祖澈,蔡八兒和祖澈隱居十五年后,祖澈長(zhǎng)練得一手好刀法,光復(fù)大革國(guó)。