即刻觀影
劇情賞析
編輯推薦
雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊講述退役特種兵程凱，為尋找失蹤的醫(yī)療隊員妻子肖玲，孤身闖入恐怖勢力猖獗的沙查爾地區(qū)。他潛入核心據(jù)點塔林，與盤踞此地的雇傭兵展開較量。期間受被擄女孩米拉的關(guān)鍵幫助，二人躲避追殺，歷經(jīng)重重艱險，最終成功沖破封鎖，將米拉救出雇傭兵的魔掌的故事。
獸性
歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin卡馬爾格，法國——內(nèi)吉瑪正在努力訓(xùn)練，以贏得當(dāng)?shù)氐亩放１荣?。然而，在一次慶祝活動后，她被牛襲擊，開始注意到一些令人不安的變化。與此同時，一頭失控的公牛在社區(qū)中橫行，導(dǎo)致年輕男子接連喪命，令居民們感到恐慌。
電視臺風(fēng)云
費·唐納薇,威廉·霍爾登,彼得·芬奇,羅伯特·杜瓦爾,尼德·巴蒂,比阿特麗斯·斯特雷特妻子的死給電視臺王牌主播霍華德（彼得·芬奇 Peter Finch 飾）帶來了沉重的打擊，使他陷入痛苦和悲傷中無法自拔。電視臺決定解雇已經(jīng)無心工作的霍華德，霍華德的老朋友麥克斯（威廉·霍爾登 William Holden 飾）成為了傳達這一噩耗的不二人選。得知自己即將被 解雇，為電視臺做牛做馬多年的霍華德十分憤怒，在第二天的節(jié)目上，他竟然向觀眾們預(yù)告，自己即將進行自殺直播。霍華德的這一出格舉動惹惱了電視臺的高層，更讓一直對麥克斯心存不滿的總裁弗蘭克（羅伯特·杜瓦爾 Robert Duvall 飾）發(fā)現(xiàn)了找茬的機會。在隔天的新聞直播中，霍華德理應(yīng)按計劃對自己的不慎言行做出道歉，可是惱羞成怒的他卻大放厥詞，將矛頭直指當(dāng)代美國的種種弊端。女制片人戴安娜（費·唐納薇 Faye Dunaway 飾）從霍華德的一系列行為中看出了商機，她買通了弗蘭克，成為了霍華德背后的推手。
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經(jīng)開始變了，但喬納森·魯斯特教授對即將到來的學(xué)期仍然準(zhǔn)備不足。本周末，他正在為考古系的野外工作課程尋找合適的地點。在同行學(xué)者和雇工的幫助下，該團隊在拂曉時分出發(fā)。這次旅行為喬納森提供了一個難得的機會，讓他親自動手，成功可能意味著出版，也可能意味著終身教職。當(dāng)一名助教神秘失蹤時，探險隊很快就脫軌了。很快，這群人發(fā)現(xiàn)自己處于現(xiàn)實和來世的交匯處，陷入了令人難忘的瘋狂之中。
我聘請了職業(yè)殺手
讓-皮埃爾·利奧德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克萊爾在為公司勤勤懇懇工作了十五年之后，亨利（讓-皮埃爾·利奧德 Jean-Pierre Léaud 飾）卻落得了一個被解雇的悲慘下場。心中充滿憤懣的他在生活里也四處碰壁，絕望之中，他想到了自殺?？墒?，無論他使用什么法子，都無法成功赴死，就在這時，他在報紙上看到了一間聚集著黑道分子和殺手的小酒館，他決定去那里試一試?！ 『嗬蛡蛄艘幻麣⑹郑夏崴埂た祭?Kenneth Colley 飾），讓他來取自己的性命，然而，在此之后，亨利意外的邂逅了名叫瑪格麗特（Margi Clarke 飾）的美麗賣花女孩，兩人迅速擦出愛情的火花。生命有了繼續(xù)下去的意義，亨利不想死了，然而，他卻怎么也找不到當(dāng)初和他簽訂了合約的殺手，這也就意味著，從此刻開始，他隨時都有可能遭到殺手的暗殺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.