劇情縱覽
秋穗的丈夫是個工作狂,讓她每天都因慾求不滿而苦惱不已。和懷有身孕的女兒和女婿
秋穗的丈夫是個工作狂,讓她每天都因慾求不滿而苦惱不已。和懷有身孕的女兒和女婿
阿king(劉德華 飾)當(dāng)年因出千被捕,事實上他是被人陷害的。出獄時他為他接風(fēng)的是崇拜他已久的化骨龍(張家輝 飾),化骨龍是個終日無所事事的人,希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子(張慧儀 飾),與當(dāng)日的得力助手(張錦程 飾), 后來King與化骨龍妹妹晴(朱茵 飾)產(chǎn)生了好感?! ing得到Rocky(吳志雄 飾)的幫助上了賭船,碰見了多年前便想交手的馬交文(高捷 飾),king想與之一決高低,卻遭到馬交文的手下省鏡(李子雄 飾)陷害,揭開了king的底細(xì)更想進(jìn)一步迫害king,king又能否躲過劫數(shù)呢?
內(nèi)布拉斯加州,1991年,兩個最好的朋友有機會經(jīng)營游泳池小吃店,后來成為越軌、娛樂、個人發(fā)現(xiàn)和浪漫的完美場景。
British Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster