在線播放
劇情簡介
故事說賊公賊婆無惡不作,生活放蕩卻優(yōu)哉游哉。兩人看上去無心向?qū)W的少男少女,盡出聲色犬馬餌誘他們?nèi)牖镒龃笫澜?。賊公向來成事不足,幸有鎮(zhèn)定的賊婆。
同類好片
四川好女人
何葦杭,趙若冰驚天魔盜團(tuán)3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗蘭科,艾拉·菲舍爾,賈斯蒂斯·史密斯,多米尼克·塞薩,阿麗亞娜·格林布拉特,裴淳華,摩根·弗里曼,馬克·魯法洛,丹尼爾·雷德克里夫,尼克·威特曼藍(lán)調(diào)之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費(fèi)舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈爾斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa忍者龍劍傳
難波圭一,冬馬由美,若本規(guī)夫,鄉(xiāng)里大輔,榊原良子,石冢運(yùn)升,鈴木沙織,浦和惠,里內(nèi)信夫,增田有宏,川津泰彥,沼田祐介,內(nèi)海秀雄,小川真司憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克致命塔羅
阿凡提卡·萬達(dá)納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特人氣佳作
導(dǎo)演精選
明明不是我!
影片改編自淺倉秋成創(chuàng)作的同名小說,講述了一個在社交媒體上,毫無根據(jù)的信息被視為“真相”,并逐漸演變成重大事件的現(xiàn)代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業(yè)部長山縣泰介,有一天突然在社交媒體上被指認(rèn)為“殺人事件的兇手”,個人信息被曝光。雖然完全無辜,卻被社會追捕、陷入“網(wǎng)絡(luò)風(fēng)暴”之中,不得不逃亡。
劫車王
白天,他們是隱形的——豪華酒店的服務(wù)員、女招待和調(diào)酒師。到了晚上,他們就是劫車者,一群熟練的司機(jī),在路上追蹤和搶劫富有的客戶。當(dāng)他們計劃最終的搶劫時,酒店經(jīng)理雇傭了一名無情的殺手,不惜一切代價阻止他們。隨著危險的臨近,諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績嗎?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster