茅山斗降頭色降

? 6.5 播放：65萬 2026-04-26

傅玉書（吳剛暫無內(nèi)容是）是豪門之子，三代單傳，身世和地位十分顯赫，他出國深造，最終學(xué)成歸來，還帶來了名為白綾（西協(xié)美智子暫無內(nèi)容飾）的同學(xué)，兩人情投意合，準(zhǔn)備步入婚姻的殿堂。葉紅（曾小燕暫無內(nèi)容飾）是傅玉書曾經(jīng)的青梅竹馬，知道傅玉書的為人和其家世，一直希望能夠嫁入豪門做個(gè)闊太太，此次得知傅玉書歸來，特地精心打扮，想要給對(duì)方留下深刻的印象。暫無內(nèi)容nbsp;暫無內(nèi)容　　葉紅和母親一起來到了傅玉書家，看到了白綾，葉紅的母親敏感的察覺到傅玉書和白綾之間的關(guān)系十分親密，再加上傅玉書對(duì)葉紅的態(tài)度明顯冷淡，女兒和豪門之子的這門婚事算是泡湯了。葉紅的母親一直希望能夠利用傅玉書的財(cái)力和名利重振葉家敗落的家道，為此不惜借助歪門邪道之力，最終釀成了悲劇。

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? 播放 茅山斗降頭色降

劇情提要

傅玉書（吳剛暫無內(nèi)容是）是豪門之子，三代單傳，身世和地位十分顯赫，他出國深造，最終學(xué)成歸來，還帶來了名為白綾（西協(xié)美智子暫無內(nèi)容飾）的同學(xué)，兩人情投意合，準(zhǔn)備步入婚姻的殿堂。葉紅（曾小燕暫無內(nèi)容飾）是傅玉書曾經(jīng)的青梅竹馬，知道傅玉書的為人和其家世，一直希望能夠嫁入豪門做個(gè)闊太太，此次得知傅玉書歸來，特地精心打扮，想要給對(duì)方留下深刻的印象。暫無內(nèi)容nbsp;暫無內(nèi)容　　葉紅和母親一起來到了傅玉書家，看到了白綾，葉紅的母親敏感的察覺到傅玉書和白綾之間的關(guān)系十分親密，再加上傅玉書對(duì)葉紅的態(tài)度明顯冷淡，女兒和豪門之子的這門婚事算是泡湯了。葉紅的母親一直希望能夠利用傅玉書的財(cái)力和名利重振葉家敗落的家道，為此不惜借助歪門邪道之力，最終釀成了悲劇。

幕后花絮

老周夜驚情

年過半百的養(yǎng)蜂人老周一生被金錢困擾，身患重病后不愿拖累在外打拼的兒子，獨(dú)自住進(jìn)一家老舊酒店，打算在最后一夜寫下遺書，安靜告別。 　　可這一晚，他卻接連迎來三位不速之客：行蹤詭異的房客、鬧得雞飛狗跳的年輕人、帶著熟悉氣息的少女。 　　三段荒誕又驚險(xiǎn)的奇遇，讓老周親身經(jīng)歷了如同電影般的“犯罪”“鬧劇”“愛情”。他由此漸漸懂得，親情與真心，遠(yuǎn)比金錢更加珍貴。一夜之間，他對(duì)人生、對(duì)陪伴、對(duì)愛，都有了全新的答案。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.