劇情縱覽
Lee暫無內(nèi)容Ha-yeonets暫無內(nèi)容是暫無內(nèi)容Ilsin暫無內(nèi)容Group暫無內(nèi)容的繼承人的妻子,她擁有一切:豪華閣樓、豪華轎車和其他一切。Lee暫無內(nèi)容Ha-yingets暫無內(nèi)容被發(fā)現(xiàn)中毒并死在酒店房間。調(diào)查是在秘密的情況下進(jìn)行的,不受媒體的關(guān)注。但案件很神秘。在酒店房間里沒有發(fā)現(xiàn)任何印刷品。
Lee暫無內(nèi)容Ha-yeonets暫無內(nèi)容是暫無內(nèi)容Ilsin暫無內(nèi)容Group暫無內(nèi)容的繼承人的妻子,她擁有一切:豪華閣樓、豪華轎車和其他一切。Lee暫無內(nèi)容Ha-yingets暫無內(nèi)容被發(fā)現(xiàn)中毒并死在酒店房間。調(diào)查是在秘密的情況下進(jìn)行的,不受媒體的關(guān)注。但案件很神秘。在酒店房間里沒有發(fā)現(xiàn)任何印刷品。
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
The story centers on a group of strangers trapped in a time warp house where a terrible event transpired exactly 100 years prior.
一對(duì)年幼的兄弟跟家人一起從大城市搬到偏遠(yuǎn)小鎮(zhèn),卻發(fā)現(xiàn)新家并不單純。他們能否與新朋友們一起解開家中的險(xiǎn)惡謎團(tuán)?