奧卡2

0.9 播放：21萬(wàn) 更新：2026-05-01

Description:暫無(wú)內(nèi)容Sequel暫無(wú)內(nèi)容to暫無(wú)內(nèi)容"La暫無(wú)內(nèi)容Orca",暫無(wú)內(nèi)容follows暫無(wú)內(nèi)容the暫無(wú)內(nèi)容life暫無(wú)內(nèi)容of暫無(wú)內(nèi)容the暫無(wú)內(nèi)容kidnapped暫無(wú)內(nèi)容girl暫無(wú)內(nèi)容after暫無(wú)內(nèi)容she暫無(wú)內(nèi)容returns暫無(wú)內(nèi)容home暫無(wú)內(nèi)容to暫無(wú)內(nèi)容her暫無(wú)內(nèi)容boyfriend暫無(wú)內(nèi)容and暫無(wú)內(nèi)容family.

播放通道

詳細(xì)簡(jiǎn)介

Description:暫無(wú)內(nèi)容Sequel暫無(wú)內(nèi)容to暫無(wú)內(nèi)容"La暫無(wú)內(nèi)容Orca",暫無(wú)內(nèi)容follows暫無(wú)內(nèi)容the暫無(wú)內(nèi)容life暫無(wú)內(nèi)容of暫無(wú)內(nèi)容the暫無(wú)內(nèi)容kidnapped暫無(wú)內(nèi)容girl暫無(wú)內(nèi)容after暫無(wú)內(nèi)容she暫無(wú)內(nèi)容returns暫無(wú)內(nèi)容home暫無(wú)內(nèi)容to暫無(wú)內(nèi)容her暫無(wú)內(nèi)容boyfriend暫無(wú)內(nèi)容and暫無(wú)內(nèi)容family.

同類(lèi)推薦

致命塔羅

阿凡提卡·萬(wàn)達(dá)納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特

　　一群青年肆無(wú)忌憚地違反了塔羅牌的規(guī)則，釋放了牌中的可怕惡靈，他們一個(gè)接一個(gè)地面對(duì)命運(yùn)的審判，使得最終陷入了一場(chǎng)與死亡的賽跑。

喜羊羊與灰太狼之羊年喜羊羊

祖晴,張琳,楊陽(yáng)洋,高全勝,梁穎,鄧玉婷,劉紅韻,趙娜

　　在陽(yáng)光明媚的日子里，灰太狼突然闖入羊村，雖然他被小羊羊們擊退，卻把村長(zhǎng)的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱(chēng)贊，而懶羊羊?qū)Υ朔炊行崙嵅黄?。為了證明自己的實(shí)力，他將慢羊羊的時(shí)空照相機(jī)錯(cuò)認(rèn)為手槍?zhuān)瑢⑵渫底吆箨J入狼堡。得知消息的喜羊羊匆匆趕去營(yíng)救，結(jié)果在混亂之中被卷入時(shí)空亂流回到了遠(yuǎn)古時(shí)代，灰太狼和懶羊羊更被魔毯互換了身體。灰太狼無(wú)意中被原始羊的千金相為駙馬，懶羊羊則成為幾只笨狼的首領(lǐng)?！　】膳碌氖怯幸粭l能把任何生物變成石頭的惡龍肆虐，為了保衛(wèi)原始時(shí)代的朋友們，喜羊羊他們攜手挑戰(zhàn)惡龍，懶羊羊更成為了足以改變歷史的英雄人物……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

卡薩諾瓦1976

唐納德·薩瑟蘭,蒂娜·奧蒙特,Cicely Browne,卡門(mén)·斯卡爾佩特,Clara Algranti,Daniela Gatti,瑪格瑞斯·克里蒙地,奧林匹婭·卡爾立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼爾·埃米爾?？?Luigi Zerbinati,Hans van de Hoek,杜德里·沙頓,約翰·卡爾森,雷吉·納爾德,芭芭拉·斯蒂爾,弗朗切斯科·德羅薩,Harold I

 意大利導(dǎo)演費(fèi)德里克．費(fèi)里尼的中期經(jīng)典作《八部半》是其成熟高峰期作品，此后開(kāi)始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《費(fèi)里尼之薩蒂尼康》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀(jì)基督道德不振后的上流腐化放縱，費(fèi)里尼盡情借題發(fā)揮，展現(xiàn)出精英文藝在人欲橫流下的腐爛情態(tài)。大情人卡薩諾華是在情場(chǎng)屢戰(zhàn)屢勝的“性斗士"，不斷獵艷，還參加造愛(ài)競(jìng)賽。但這大情人苦于人人只重他的性愛(ài)能力，不重視他經(jīng)世濟(jì)民治國(guó)的才學(xué)。而且女人們對(duì)他都“有性無(wú)愛(ài)"，當(dāng)他衰老得失去性魅力之后，就只能把一個(gè)機(jī)械女人當(dāng)作夢(mèng)中情人，很可悲可憐。

神秘科學(xué)影院3000

　　本片改編自ＨＢＯ１９８８年起播映的影集，播出后廣受另類(lèi)影迷的歡迎。依循該影集的特色，我們看到三層投射在電影銀幕的剪影，影片中的人正在觀賞一堆低俗可笑的Ｂ級(jí)影片。劇情安排一位邪惡的科學(xué)佛利特，他意圖以最低俗的Ｂ級(jí)影片來(lái)對(duì)人類(lèi)洗腦，并進(jìn)而控制人類(lèi)的意志。片中被試驗(yàn)的對(duì)象麥克是個(gè)平凡人物，但是他非但未被低級(jí)影片所害，反倒頗能樂(lè)在其中，并與銀幕上的主角產(chǎn)生頗具“笑”果的對(duì)話(huà)。本片以獨(dú)特的觀點(diǎn)來(lái)處理，對(duì)于新新人類(lèi)，是另類(lèi)電影風(fēng)的最佳代表與選擇?！　】齑魃夏愕奶瞻踩?，一場(chǎng)瘋狂滑稽的旅程就要展開(kāi)！一位邪惡的科學(xué)家，意圖以最低俗的B級(jí)影片來(lái)對(duì)人類(lèi)洗腦，并進(jìn)而控制人類(lèi)的意志，最后占領(lǐng)地球。因此一個(gè)倒楣的平凡人麥可納爾遜被當(dāng)成實(shí)驗(yàn)對(duì)象，與兩個(gè)滑稽的機(jī)器人一同登上一艘宇宙飛船，被迫觀看1955年的一部爛科幻片。但是沒(méi)想到，麥可非但未被低級(jí)影片所害，反倒能樂(lè)在其中，并與銀幕上的主角產(chǎn)生頗具「笑」果的對(duì)話(huà)！此片是根據(jù)一個(gè)同名電視秀所改編而成，該電視秀從80年代晚期延續(xù)到90年代中期，它所造成的轟動(dòng)盛況，不但有六萬(wàn)名以上的瘋狂影迷，甚至還出了一本書(shū)，并拍了這部電影。