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皇家次子女秘密組織
格雷格·布瑞克,艾洛蒂·袁,斯蓋拉·阿斯丁,佩頓·伊麗莎白·李,奈爾斯·菲奇,阿什利·廖,伊莎貝拉·布萊克·托馬斯,諾亞·羅麥克斯,賈斯達(dá)達(dá),Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel雷霆營(yíng)救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊瘋狂的兔子
柳田,趙夢(mèng)洋,陳述,崔岳,黃迎,常藍(lán)天阿姆斯特丹
克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛(wèi)·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴(lài)斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農(nóng),麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達(dá)娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚(yáng),肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內(nèi),詹姆斯害蟲(chóng)2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どＹだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘同類(lèi)推薦
掠殺者
利亞姆·坎寧安,寶拉雅娜·麥金托什,漢娜·斯坦布里奇,布萊恩·拉金,尼爾·格雷格·富爾頓,道格拉斯·羅素,喬納森·沃森,布萊恩·威納爾故事發(fā)生在蘇格蘭一個(gè)名叫英維思的偏遠(yuǎn)寧?kù)o小鎮(zhèn)。夜幕愈加濃重，年輕女警官瑞秋（Pollyanna McIntosh 飾）被鬧鐘喚醒，她有條不紊穿戴整齊，隨后出門(mén)行走在空無(wú)一人的街道中央。在某個(gè)路口，瑞秋目擊不遠(yuǎn)處站著一位老人，但隨后老人被一輛飛馳而來(lái)的汽車(chē)撞到。瑞秋沖上前去，然而并未看到被撞之人，她只得將肇事者凱撒（布萊恩·沃納 Brian Vernel 飾）扭送回警局，與麥克·瑞德警長(zhǎng)（道格拉斯·羅素 Douglas Russell 飾）一同審問(wèn)。稍后凱撒被關(guān)入牢房，而警局的同事也找到了那名神秘且一言不發(fā)的受傷老人?！ ×钊穗y以置信的是，老人似乎擁有直抵他人內(nèi)心的能力，同時(shí)也讓對(duì)方暴走瘋狂，這注定是一個(gè)不平凡的夜晚……
異形終結(jié)
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer故事發(fā)生在遙遠(yuǎn)的2078年，礦業(yè)組織NEB在天狼星6B行星上發(fā)現(xiàn)了名為“Berynium”的元素，該元素蘊(yùn)含著巨大的能量，可以用來(lái)充當(dāng)能源使用。組織派遣了一批礦工前往行星進(jìn)行能源開(kāi)采，然而工人們很快就發(fā)現(xiàn)，Berynium擁有強(qiáng)烈的放射性，根本不適合使用。雖然礦工們強(qiáng)烈要求停止任務(wù)，但組織卻不為所動(dòng)，無(wú)奈之下，礦工們自發(fā)的組成了“聯(lián)盟”，和組織之間開(kāi)始漫長(zhǎng)的對(duì)抗。為了抵擋組織的猛烈攻擊，聯(lián)盟研制出了小型機(jī)器人“Screamer”，它擁有敏捷的身手和強(qiáng)大的攻擊力，給敵方造成了巨大的傷害。然而，聯(lián)盟并不知道的是，在不知不覺(jué)間，機(jī)器人們已經(jīng)進(jìn)化出了自我意識(shí)，想要成為這顆星球上的主宰者。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼滴語(yǔ)3
納得克·庫(kù)吉米亞,蘭達(dá)娜瓦迪·望同,潔莉爾查·卡本,卡杰布泓迪緹特·珈迪,佩拉克里特·帕查拉布納亞基特在那場(chǎng)悲劇發(fā)生25年后，一個(gè)年輕的少年發(fā)現(xiàn)了屬于他祖父的神秘盒子……
風(fēng)雪飄搖
王宇,伊日貴,其那日?qǐng)D,鋼特木爾,趙思芮,熬爾,巴音故事背景發(fā)生在抗日戰(zhàn)爭(zhēng)時(shí)期，主角郭東是一名獸醫(yī)，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個(gè)小鎮(zhèn)上，過(guò)著惶惶不可終日的生活。郭東的自暴自棄使得他與當(dāng)?shù)厝水a(chǎn)生許多矛盾。就在此時(shí)，一名蒙古族孕婦的生命危在旦夕，眾人無(wú)奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下，重新明白了"英雄"的意義，完成了自我救贖。