劇情縱覽
正浩(李東奎暫無內(nèi)容飾)是一名作家,正在創(chuàng)作一部小說。他和妻子智秀(金貞善暫無內(nèi)容飾)結(jié)婚多年,可妻子卻依然對風(fēng)流的丈夫放心不下,時(shí)時(shí)疑心四起。惠仁(韓荷宥暫無內(nèi)容飾)是清純善良的女大學(xué)生,因?yàn)闃用埠驼频某鯌偾槿烁裢庀嘞穸鹆苏频淖⒁狻?
正浩(李東奎暫無內(nèi)容飾)是一名作家,正在創(chuàng)作一部小說。他和妻子智秀(金貞善暫無內(nèi)容飾)結(jié)婚多年,可妻子卻依然對風(fēng)流的丈夫放心不下,時(shí)時(shí)疑心四起。惠仁(韓荷宥暫無內(nèi)容飾)是清純善良的女大學(xué)生,因?yàn)闃用埠驼频某鯌偾槿烁裢庀嘞穸鹆苏频淖⒁狻?
寂靜深夜,Selly(Violenzia Jeanette 飾)、Jack(Ricky Harun 飾)、Tando(Zidni Adam 飾)三名喜好刺激的青年男女駕駛機(jī)車飛馳在公路上,突然之間,Selly的機(jī)車失控,她摔倒在地,身受重傷,昏迷不醒,Jack、Tando連忙將其送往醫(yī)院。與此同時(shí),來自日本的女孩幸子(蒼井空 飾)正準(zhǔn)備和當(dāng)?shù)氐膶?dǎo)游外出游玩,誰知卻不小心用車門夾上導(dǎo)游的手,語言本就不同的二人也慌慌張張前往醫(yī)院。不久之后,兩組人馬在這間有些陰森的醫(yī)院內(nèi)會合,隱隱約約中,一個(gè)留著長發(fā)卻看不清面容的女人不時(shí)逡巡在幸子等人的周圍?! τ谶@幾個(gè)有些倒霉的青年來說,恐怖而又爆笑的夜晚正慢慢拉開序幕……
When an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
1990年,一艘巨大的飛船出現(xiàn)在地球上空,人們惶恐不安,卻又分外好奇。經(jīng)過一段時(shí)間緊張的等待,外星飛船始終沒有動靜。人類終于小心翼翼靠近它,強(qiáng)行走進(jìn)艙內(nèi),結(jié)果發(fā)現(xiàn)了不計(jì)其數(shù)的外星人。他們形容丑陋,宛如蝦子,而且健康狀況極差,虛弱無力。原來這是一群來自外星的難民,他們最終被地球人接納,并隔離在南非約翰內(nèi)斯堡的一片區(qū)域內(nèi)生活,此地名為“第九區(qū)”。經(jīng)過長達(dá)20年的繁衍,外星難民的數(shù)量擴(kuò)張至180萬之多,且和周邊人類的矛盾沖突不斷,越來越多的人類呼吁將“大蝦”趕出地球?! NU(列國同盟組織)經(jīng)過磋商,決定將外星難民遷移到更為偏遠(yuǎn)的區(qū)域。MNU外星事務(wù)部門的特工威庫斯(Sharlto Copley 飾)專門負(fù)責(zé)搬遷工作。威庫斯在動員過程中傲慢隨意,與當(dāng)?shù)鼐用駴_突頻頻。最終,他為自己的行為付出代價(jià),外星人的神秘流體將其感染,威庫斯慢慢變成了外星人的模樣……