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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
男孩2026
趙炳奎,柳仁秀,崔允珍,徐仁國講述了住在虛構(gòu)城市波古市的羅漢、他的哥哥喬漢和剛搬進(jìn)得克薩斯州一家水療中心的故事，該水療中心的老板是一位不可預(yù)知的鄰居。
汽車旅館人生
Emile Hirsch,達(dá)科塔·范寧時(shí)光網(wǎng)訊 據(jù)國外媒體報(bào)道，埃米爾·赫斯基將主演一部名為《The Motel Life》的新片，而他也被本片最早確定下來的主創(chuàng)人選?！ ∮捌木幾訵illy Vlautin的同名處女作小說，講述了一對(duì)內(nèi)達(dá)華州的兄弟在經(jīng)歷了一場(chǎng)致命變故后踏上逃亡之路，雖然途中偶然會(huì)出現(xiàn)幸運(yùn)和希望，但他們依舊漸漸被社會(huì)所遺棄。
守護(hù)者2025
塔提阿娜·瑪斯拉尼,羅西弗·薩瑟蘭,伯克特·圖爾頓,艾琳·博伊斯,泰絲·登根斯坦,克萊爾·福萊森,克里斯汀·帕克,洛根·皮爾斯,艾拉·韋杰爾,格倫·戈登,伊芙琳·伯克,吉娜·武爾塔焦,艾琳·蒂普爾一對(duì)愛侶Liz和Malcolm去到一座偏僻的小屋度假，Malcolm卻因意外先回城了，留下Liz獨(dú)自一人，她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過去，如今纏上了自己。
天大的事
邵峰,劉惠,韓三明,張瑞雪,張衡平,郭晗該取材于武穴市4000多名黨員下社區(qū)、進(jìn)小區(qū)，通過黨建引領(lǐng)老舊小區(qū)改造的故事：建于上世紀(jì)七、八十年代的老油廠小區(qū)，有9棟樓160多戶居民，是一個(gè)典型的無物管、無主管部門、無人防物防的“三無”小區(qū)。這里許多居民亂搭亂建雜物間、小車棚，下水道破損無人維修，生活污水橫流，居住環(huán)境十分惡劣。有條件的住戶外出購房搬離后，又將這里的房子出租出去，導(dǎo)致這兒的居住環(huán)境更加復(fù)雜。龍?zhí)渡鐓^(qū)主任張昊陽借老舊小區(qū)改造之際，做活黨建+的文章，派出社區(qū)片警樊玉鋒任第一支部書記，引導(dǎo)居民開展“法治、德治、自治”。在社區(qū)工作者和小區(qū)黨支部+業(yè)主委員會(huì)的共同努力下，解決了一批居民急難愁盼的事，終于讓居住在這里的近千名群眾生活出現(xiàn)了新業(yè)態(tài)。
地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales某座美軍廢棄的地下工業(yè)基地，數(shù)年前因一系列恐怖事件而關(guān)閉。而今，無所畏懼的時(shí)尚男女在這里開啟狂歡派對(duì)，縱情享樂之際全然不知危險(xiǎn)將近。馬特（Ross Thomas 飾）、米拉（Sofia Pernas 飾）、艾瑞克（Jeff D'Agostino 飾）、詹娜（Christine Evangelista 飾）、伊芙和斯托姆（Adrian R'Mante 飾）等六名好友在派對(duì)高潮和另一伙人發(fā)生矛盾，沖突過后，他們倉皇躲入一座地下設(shè)施內(nèi)，結(jié)果卻被對(duì)方反鎖在里面。少頃曲終人散，馬特他們遇見另外兩個(gè)在此歡愛的男女。他們結(jié)伴尋找逃出去的路，誰知竟遭遇了恐怖嗜血的可怕生物。黑暗寒冷的地下，魔鬼的盛宴拉開序幕……