ITバブルと寢た女たち
A暫無(wú)內(nèi)容girl暫無(wú)內(nèi)容who暫無(wú)內(nèi)容went暫無(wú)內(nèi)容to暫無(wú)內(nèi)容Tokyo暫無(wú)內(nèi)容to暫無(wú)內(nèi)容dream暫無(wú)內(nèi)容of暫無(wú)內(nèi)容the暫無(wú)內(nèi)容entertainment暫無(wú)內(nèi)容world暫無(wú)內(nèi)容from暫無(wú)內(nèi)容the暫無(wú)內(nèi)容countryside暫無(wú)內(nèi)容falls暫無(wú)內(nèi)容in暫無(wú)內(nèi)容love暫無(wú)內(nèi)容with暫無(wú)內(nèi)容a暫無(wú)內(nèi)容young暫無(wú)內(nèi)容IT暫無(wú)內(nèi)容venture暫無(wú)內(nèi)容male暫無(wú)內(nèi)容overnight.
即刻觀(guān)影
劇情賞析
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要是晴天就好了
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浮云世事
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坐白車(chē)的女人
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster