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宇宙護衛(wèi)隊：百變流星
李靖,劉妤姻子,劉蕊,姜英俊達爾文星球的晴天霹靂解封曾企圖占領(lǐng)地球的恐龍三人組，組成超甲恐龍隊，從赤道的熱帶雨林開始冰凍地球。護衛(wèi)隊收到總部指示，阻止超甲恐龍隊。關(guān)鍵時刻，隊員流星又遇到了困境，這次他能拯救同伴，保護地球嗎？
不死真相
埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
千萬不要跟著我
Karla Coronado,揚克爾·史蒂文,Julia Maqueo卡拉夢為了成為知名的網(wǎng)紅，決定在自己的公寓里偽造一場鬧鬼事件。然而令她沒想到是，她的行為意外招來了不懷好意的東西。
是的2025
艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha富豪私人派對上，一對男女忘我炒熱氣氛，只要金主敢玩，他們十倍奉還。白天，兩人棲居小公寓照料幼子，她靠教舞維生，他則是潦倒音樂家。然而，手機里傳來的加沙煉獄景象使他們焦慮，周遭人們卻歡慶著血流成河，他們?yōu)榱藴仫枺^續(xù)出賣靈魂。某夜，他收到酬勞可觀的邀約，卻必須將金主寫下的魔鬼詩篇譜成新國歌。為了五斗米，他決定深入國族的集體創(chuàng)傷，尋找主旋律。
遇見世界
杉咲花,南琴奈,板垣李光人,蒼井優(yōu),澀川清彥27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》，卻始終無法接納真實的自己。面對朋友們紛紛步入婚姻與家庭，她感到焦慮與孤獨，嘗試通過相親改變現(xiàn)狀，卻屢遭不順，醉倒在歌舞伎町街頭。此時，她被陪酒女萊伊救起，兩人由此展開一段微妙的關(guān)系。隨后，由嘉里又結(jié)識了已婚男公關(guān)朝日，三人各自背負著不同的生活壓力，卻在彼此陪伴中逐漸找到歸屬與勇氣。 影片改編自金原瞳撰寫的同名小說。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster