輕蔑
繼《生命最后一個月的新娘》、《雷櫻》兩部影片的票房大獲成功后,昔日的粉紅電影導(dǎo)演廣木隆一自然也是堅定的轉(zhuǎn)向了更為主流的愛情題材。由他執(zhí)導(dǎo),鈴木杏與高良健吾主演的新作《輕蔑》,盡管依舊打出了;純愛的主題,但相比前面兩部片子略帶小清新的基調(diào),新作明顯透露出一絲絕望的味道?!遁p蔑》改編自芥川賞作家中上健次最后一本小說,故事的主人公是一對因身份差距而不被祝福的情侶。出門名門的男子阿和只身來到東京,卻沉迷于du博。偶然間,他遇到了在歌舞町跳舞的女孩真知子,墜入愛河。不過當阿和帶著真知子回到老家,二人卻遭遇到周遭質(zhì)疑的眼光,阿和的父親對于真知子的出身和工作都表現(xiàn)出強烈的不滿。倍受打擊的真知子回到了東京,而阿和的du債也越積越多。終于高利貸提出要求,讓真知子用身體為代價幫助阿和還錢 片中,鈴木杏剪去長發(fā),一改昔日清純傻妹的形象,成為了生活在城市邊緣鋼管舞女,展現(xiàn)出了性感頹廢的一面。而與之搭檔的則是風(fēng)頭正勁的 新人王;高良健吾,僅去年年一年,便有9部由他參與演出的電影公映,其中既有《樂與路》這樣的勵志小品,也有那般的《挪威的森林》重磅大作。電影《輕蔑》將于6月4日在日本公映。
劇情簡介
繼《生命最后一個月的新娘》、《雷櫻》兩部影片的票房大獲成功后,昔日的粉紅電影導(dǎo)演廣木隆一自然也是堅定的轉(zhuǎn)向了更為主流的愛情題材。由他執(zhí)導(dǎo),鈴木杏與高良健吾主演的新作《輕蔑》,盡管依舊打出了;純愛的主題,但相比前面兩部片子略帶小清新的基調(diào),新作明顯透露出一絲絕望的味道?!遁p蔑》改編自芥川賞作家中上健次最后一本小說,故事的主人公是一對因身份差距而不被祝福的情侶。出門名門的男子阿和只身來到東京,卻沉迷于du博。偶然間,他遇到了在歌舞町跳舞的女孩真知子,墜入愛河。不過當阿和帶著真知子回到老家,二人卻遭遇到周遭質(zhì)疑的眼光,阿和的父親對于真知子的出身和工作都表現(xiàn)出強烈的不滿。倍受打擊的真知子回到了東京,而阿和的du債也越積越多。終于高利貸提出要求,讓真知子用身體為代價幫助阿和還錢 片中,鈴木杏剪去長發(fā),一改昔日清純傻妹的形象,成為了生活在城市邊緣鋼管舞女,展現(xiàn)出了性感頹廢的一面。而與之搭檔的則是風(fēng)頭正勁的 新人王;高良健吾,僅去年年一年,便有9部由他參與演出的電影公映,其中既有《樂與路》這樣的勵志小品,也有那般的《挪威的森林》重磅大作。電影《輕蔑》將于6月4日在日本公映。
為你推薦
狂鯊風(fēng)暴
菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森在一場毀滅性的颶風(fēng)中,一個沿海小鎮(zhèn)正奮力對抗大自然的憤怒以及鯊魚的襲擊。在傾盆大雨、飛散的殘骸和伸手不見五指的黑暗中,他們團結(jié)一心,勇敢面對致命的掠食者,努力在風(fēng)暴中生存下來。
美國勇士
A man with a troubled past decides to turn his life around after a heroic act by training for a mixed martial arts tournament.
誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚,許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林李維杰(肖央 飾)與妻子阿玉(譚卓 飾)來泰打拼17年,膝下育有兩個女兒,年屆四十的他靠開設(shè)網(wǎng)絡(luò)公司為生,為人也頗得小鎮(zhèn)居民的好感,而這一切美好卻被突如其來的不速之客打破。這個充斥走私,販毒活動的邊陲小鎮(zhèn),各種權(quán)力交織碾壓公平正義。李維杰的大女兒平平(許文珊 飾)被督察長拉韞(陳沖 飾)的兒子素察(邊天揚 飾)迷奸,因反抗誤殺對方。李維杰曾親眼目睹督察長濫用私刑,深知法律無用,為了維護女兒,捍衛(wèi)家人,李維杰埋尸掩蓋一切證據(jù),在時間與空間的交錯縫隙中,與警方在身心層面,展開了殊死一搏的較量。
火鳳凰1978
姜大衛(wèi) (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國武館,化裝紅衣蒙面人,屢次暗殺立志北伐的愛國志士,后來被揭穿的懸疑武打故事。這片子真可以當成偵破片來看,武館的人一個一個被殺,兇手究竟是誰...
導(dǎo)師2025
Sornram Aneklap,帕林亞·昂薩南,塔那萬·霍查雷拉哈,尼措空·卡瓊伯利叻,因托楚克·英拓楚克·倥拉瑪蘇皖,Sueangsuda Lawanprasert在知名補習(xí)班里,流傳著一個恐怖傳言:只要在深夜走上被封鎖的四樓,填寫桌上的報名表,寫下上榜的愿望,不論再困難的考試與科系,都能如愿考取。資優(yōu)生貝兒與好友們前去試膽,愿望竟奇跡般一一成真,卻伴隨著接連不斷的離奇死亡。肩負母親對醫(yī)學(xué)院的期待,貝兒也在名單上留下自己的名字,自此怪事頻頻纏身;姐姐精神逐漸崩潰,弟弟貝斯為救她挺身而出,決心以自己的名字改寫命運。隨著真相逐漸揭開,他們赫然發(fā)現(xiàn)四樓深埋的秘密,竟與一段駭人師生往事緊緊相連……當對考試的渴望仰賴超自然力量,而這種成功卻要以生命為代價時,是畢業(yè),還是斃命?他們能夠在瘋癲的教育體制內(nèi)活下來嗎?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
拼圖殺機
池承炫,李世美,姜其永,楊明憲,英健,方秀衡,姜多賢,宋東煥,元賢俊,???,趙潤鎬擁有一切的男子都俊,妻子和小孩都在國外生活,也因此他的疑心病變得更重了。某日他一個人喝完酒徘徊時,遇到了一位謎樣的女子世蓮,陷入她的魅力之中的都俊也因此卷入了某起事件……