激情艾米
近30的猶太人,寫了一本很成功的小說名叫《如何愛》,內(nèi)容是幫助那些沒有戀愛過的女人尋找真愛。其實她自己也是獨守空閨4年,而且似乎從來沒有達到過那種飄飄欲仙的境界。她從她的朋友,同事,家人,甚至她懺悔的牧師那里得到了很多的關(guān)于“愛”的建議,所以當(dāng)她開始和LA的帥哥Matthew Starr約會時,心理非常矛盾,到底這些關(guān)于“愛”的理論是不是在每個人身上都適用呢
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賈斯汀·查特文 Justin Chatwin 彼得·斯特曼 Peter Stormare Mark Thompson致命塔羅
阿凡提卡·萬達納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特偶像活動!×美妙天堂 THE MOVIE -相遇的奇跡!-
下地紫野,茜屋日海夏街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納同類精選
震耳欲聾
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李勁峰,蘇濛濛,駱達華看不見的女兒
阿登·楊,茱莉亞·莎拉·斯通,Camille Sullivan犯罪現(xiàn)場調(diào)查完結(jié)篇:不朽
特德·丹森,喬雅·??怂?艾瑞克·茲曼達,羅伯特·大衛(wèi)·豪爾,華萊士·朗翰,大衛(wèi)·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內(nèi)爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達·伍爾,凱蒂·史蒂文斯,Alexandra Barreto禁閉
娜奧米·沃茨,奧利弗·普萊特,查理·希頓,雅各布·特倫布萊,克里斯塔爾·巴林特,亞歷克斯·布勞恩斯坦,大衛(wèi)·庫比特,艾倫·大衛(wèi),克萊門泰·波達茲,提姆·波斯特神奇柑仔店真人版
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好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶變裝皇后家好與家人疏離,因媽媽罹患失智癥需貼身照顧,才久違回了家。母親記憶力衰退,不斷提起家好童年軼事,耿耿于懷。有次家好忘記卸妝被母親撞見,為安撫她,只好謊稱自己是母親失散多年的女兒,怎料母親信以為真,令家好展開一段療愈原生家庭創(chuàng)傷之旅。到底家好是否可以月圓?王國燊繼《男兒王》又一變裝皇后力作,聯(lián)同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳,將新加坡變裝皇后Sammi Zhen真實故事搬上大銀幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P十三,一個聽起來就有些陰冷的數(shù)字。在一座大廈的第十三層,科學(xué)家道格拉斯?霍爾(克雷戈?比克飾)和漢農(nóng)?富勒(阿明?繆勒-斯塔爾飾)用電腦模擬出一個逼真的1937年的洛杉磯,他們可以通過電腦進入這個虛擬世界,真實地體驗1937年的生活與自己。然而一個夜里,富勒被人殺死,種種線索都表明似乎是霍爾所為??苫魻枀s對當(dāng)天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現(xiàn),可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相,霍爾循著富勒留下的線索來到虛擬世界中,他離真相越來越近了……近到窒息……
羅格河
米歇爾·佩吉,Art Alexakis,克里斯·科伊,邁克爾·庫立茲,盧辛達·珍妮★《羅格河》:一位年輕的女性駕車沿著羅格河旅行,可是她的車子卻神秘的消失了。失去了代步工具和通信,別無選擇,她只得接受了一位陌生人的好意在他的小屋中過夜。可是這個選擇卻讓她后悔終生。在接下來的時間里除了折磨還是折磨,難以描述的疼痛與令人恐怖的苦痛。如果你看過苦痛,你就什么都沒看過。這部電影在其他恐怖電影結(jié)束之處開始,恐懼與作嘔將縈繞觀影者始終。