處女作家的初體驗(yàn)

★ 0.6 播放：44萬(wàn) 更新：2026-04-30
主演：李采潭 

智媛是一位情色作家，但她還沒(méi)有體驗(yàn)過(guò)性愛(ài)的歡愉，所以對(duì)此類描寫(xiě)無(wú)法表達(dá)準(zhǔn)確。恩植和成國(guó)均想奪走智媛的第一次，但當(dāng)成國(guó)的妻子賢熙回家后，成國(guó)的

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劇情簡(jiǎn)介

智媛是一位情色作家，但她還沒(méi)有體驗(yàn)過(guò)性愛(ài)的歡愉，所以對(duì)此類描寫(xiě)無(wú)法表達(dá)準(zhǔn)確。恩植和成國(guó)均想奪走智媛的第一次，但當(dāng)成國(guó)的妻子賢熙回家后，成國(guó)的

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

沖動(dòng)2023

　　一位內(nèi)向的俄羅斯父親和十幾歲的女兒住在一輛面包車?yán)?。面包車裝著他們的全部生活，包括一套電影放映設(shè)備。那是他們微薄收入的來(lái)源。這對(duì)無(wú)名的父女從南到北，在他們廣闊國(guó)家的極端氣候中漫游。

藏獒多吉

 少年田勁的父母早年為了將西醫(yī)帶入藏地做出了無(wú)數(shù)的犧牲，由于無(wú)法適應(yīng)高原的生活，田勁的媽媽帶著尚在襁褓中的兒子返回內(nèi)地，爸爸拉格巴則在高原繼續(xù)著他的事業(yè)。數(shù)年過(guò)后，媽媽病故，無(wú)依無(wú)靠的田勁來(lái)到高原尋找爸爸，然而心中卻藏著無(wú)數(shù)的怨恨。拉格巴終日忙碌行醫(yī)，任憑兒子自行學(xué)習(xí)牧羊。某天，田勁遭到狗熊的威脅，幸虧一只金色的藏獒相助，后來(lái)更因種種機(jī)緣讓他與這只名叫多吉的藏獒成為最親密的朋友。與此同時(shí)，草原上出現(xiàn)了專門殘害生靈的惡魔，牧民的平靜生活被徹底打破……本片根據(jù)楊志軍的小說(shuō)《藏獒》改編，由中日兩國(guó)聯(lián)合制作，日本著名漫畫(huà)家浦澤直樹(shù)還擔(dān)任了人設(shè)和導(dǎo)演的工作。