播放通道
詳細簡介
熱門影視 大家都在看
查帕奎迪克
杰森·克拉克,凱特·瑪拉,艾德·赫爾姆斯,布魯斯·鄧恩,吉姆·加菲根,奧莉薇·瑟爾比,克蘭西·布朗,泰勒·尼科斯,約翰·菲奧里,吉利恩·瑪瑞娜·戈登,凱蒂·亨諾克,萊克西·羅斯,安吉拉·霍普·史密斯,文斯·泰瑟,維克多·沃倫,大衛(wèi)·德·貝克,安德莉亞·布萊克曼,比爾·亨弗瑞斯,湯姆·奧布萊恩,莎拉·伊麗莎白·米切爾,保羅·佩普,雅各布·海德,克里斯·埃杰利,瓦利·維吉爾特曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖殺人漫畫
嚴基俊,李施吟,金顯祐,吳光祿老兄救命
普拉迪普·蘭加納坦,Mamitha Baiju,R. Sarathkumar,羅希尼,赫里杜·哈龍,Dravid Selvam男孩、鼴鼠、狐貍和馬
湯姆·霍蘭德爾,伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾花月佳期電影版
吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛同類推薦
超暴力機斗
Ben Naasz,Teddy Ca?ez,Jennifer Sydney主要講述了未來世界人與機械武器之間的愛恨情仇。
來點茶泡飯如何
深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾貴史,豐原功補,室井滋標題中的「ぶぶ漬け(お茶漬け)どうどす」是一句眾所周知的京都表達,京都人常用這句話以委婉的方式傳達「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題,展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇,并展開了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號扇子店的自由撰稿人澁澤まどか為主人公,描繪了〈京都人〉與從東京而來的〈外地人〉之間的攻防與沖突。
在你的愛情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya匹配
土屋太鳳,佐久間大介,金子統(tǒng)昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴影片是一部圍繞約會匹配軟件展開的原創(chuàng)懸疑片,戀愛方面晚熟的婚禮策劃人輪花(土屋太鳳 飾)被同事推薦了配對APP,雖然和一位男士匹配成功,但是出現(xiàn)在約會中的他卻和照片完全不一樣。與此同時,發(fā)生了針對APP用戶的連環(huán)殺人事件,事件朝著意料之外的方向發(fā)展,魔爪也漸漸逼近了輪花...佐久間大介飾演與主人公·輪花相遇,糾纏不休的跟蹤狂·永山吐夢。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster