節(jié)日聚會(huì)上的浴衣女人
夏季節(jié)日期間的精彩經(jīng)歷! Girlsset Menset立即購(gòu)買! Tomohiro和Makoto參加了這個(gè)節(jié)日,在炎熱的夏夜里狩獵。 這是三個(gè)穿著浴衣打扮的女人,來(lái)享受節(jié)日。 接近由衣,明日香,瑪雅人, 他們拒絕了,因?yàn)槟鞘且淮螊D女聚會(huì) 也許是因?yàn)楣?jié)日的激動(dòng),他還問了一些持續(xù)的問題并繼續(xù)進(jìn)行對(duì)話。 如果人數(shù)似乎討厭仲夏夜的新聚會(huì) 在他們的話語(yǔ)中再多說一遍,他們可以一起出去玩 在河邊定居,花時(shí)間喝酒。 每個(gè)女人都有一個(gè)情人,但第一個(gè)男人 可以喝一杯。 喝得越多,來(lái)來(lái)往往的情緒就越成熟 最終,一對(duì)男人和女人結(jié)伴而出。 去酒店的人 通過熱情洋溢的夏日夜晚...
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山姆·洛克威爾,凱文·史派西,多米妮克·麥克艾麗戈特,卡雅·斯考達(dá)里奧,本尼迪克特·黃,馬特·貝里,馬爾科姆·斯圖爾特,羅賓·查克魔法壞女巫2
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?!に谷R特,瑪麗莎·博德,彼特·丁拉基,科爾曼·多明戈,亞當(dāng)·詹姆斯,艾米麗·蒂爾尼,艾琳·巴特爾,邁克爾·瓜內(nèi)拉,莎拉-杰恩·里德爾,雅雅·哈姆扎,瑞安·曼,喬爾·斯特恩,利里奧·博阿滕,莉茲·艾森,里卡多·盧德羅·蘇薩,卡勒姆·鮑耶繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs拍得不錯(cuò)
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應(yīng)采兒,苗僑偉,宣萱鬼眨眼
Rachel Armiger,Alexandria Benford,Ashleigh Coffelt,Alyssa Dalgleish,Parker Damm,Sterritt David,Eileen del Valle,Reed DeLisle,Consuelo M. Edwards,Jaime Horrigan,Kenny Johnson,Mike Jones,Seth Adam Kallick,Matt Lake,Erik Kristopher Myers,艾德亞多·桑奇茲,蓋文·約克血咒圣痕
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遺忘尼克
英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格故事發(fā)生在車水馬龍的繁華大都市紐約,嘉德(英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾)是一名職業(yè)模特,擁有性感的身材和天使般的容貌,活躍在時(shí)尚秀場(chǎng)和雜志的封面之上?,斃麃啠巍と鹇?Katja Riemann 飾)性格溫柔又賢惠,獨(dú)自撫養(yǎng)著孩子,是一位堅(jiān)強(qiáng)而又樂觀的單身母親。這看似八竿子打不到一起的兩人,她們的生命卻因?yàn)橐粋€(gè)名叫尼克(哈魯克·比爾吉納 Haluk Bilginer 飾)的男人而被牢牢的拴在了一起,她們都曾瞎了眼和尼克有過一段失敗的婚姻,而根據(jù)婚前協(xié)議,兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中。 兩個(gè)性格迥異的女人之間,戰(zhàn)爭(zhēng)一觸即發(fā)。
羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban本片在2025年圣丹斯電影節(jié)一舉拿下世界劇情片競(jìng)賽單元評(píng)審團(tuán)特別獎(jiǎng)(創(chuàng)作視野)和觀眾獎(jiǎng)兩項(xiàng)大獎(jiǎng)。馬其頓偏遠(yuǎn)村莊的15歲的牧羊少年沉醉于音樂世界,但在傳統(tǒng)社會(huì)規(guī)則下,他必須面對(duì)來(lái)自周遭環(huán)境與父親的質(zhì)疑。某日放羊途中,他偶遇了一場(chǎng)大型的電子舞會(huì),邂逅令他心動(dòng)的女孩……導(dǎo)演喬治·M·溫科夫斯基的長(zhǎng)片首作試圖探索集體期望與自我表達(dá)之間的微妙平衡。片中鮮活的色彩、詼諧的橋段、惹人憐愛的角色和韻律十足的音樂,為這個(gè)成長(zhǎng)故事注入勃勃生命力。影片溫柔且有力地回答了藝術(shù)如何成為精神避難所,又如何變?yōu)槌砷L(zhǎng)催化劑。
上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩(shī)麥道梅(曾志偉 飾)人如其名,一生歷經(jīng)坎坷無(wú)數(shù),去內(nèi)衣廠工作就連累企業(yè)業(yè)績(jī)直線下滑,談女朋友就被拋棄,連累的三十多歲的家姐至今未嫁。無(wú)奈的姐姐拿出了家傳的玉鐲贈(zèng)與一事無(wú)成的麥道梅,希望幫他轉(zhuǎn)運(yùn),抑郁的麥道梅酒后駕車,被人撞下高坡,迷迷糊糊見到了牛頭馬面,此二鬼卒告知麥道梅陽(yáng)壽未盡,在王百萬(wàn)、包黛麗、石神三人身亡之后即是他麥道梅之死期……清醒過來(lái)的麥道梅馬上遇上了被撕票的富翁王百萬(wàn),而石神便是綁架王百萬(wàn)的案犯之一,而包黛麗則是石神的女友,為了自救,麥道梅試圖保護(hù)包黛麗和石神,因此卷入了這起綁架案,而石神的妹妹石女(鐘楚紅 飾)更是令麥道梅心動(dòng)。未知麥道梅如何自救,又怎樣贏得石女芳心?
謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩(shī)瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫(kù)納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam一名健身教練在德里一家高檔俱樂部慘遭殺害。為了找出兇手,一位老辣的調(diào)查員揭開了俱樂部富豪會(huì)員的骯臟秘密。