婚前性行為

在你的愛情里

怒海浩劫

　　影片講述了能源科考隊(duì)冒險(xiǎn)者號(hào)深潛器，在深海海溝執(zhí)行探測任務(wù)時(shí)，突遭神秘暗流沖擊，墜入了海底未知禁區(qū)內(nèi)，艙內(nèi)四名隊(duì)員失去聯(lián)系，生死未卜。中國救援隊(duì)青龍?zhí)柵R危受命，奔赴深海緊急救援，一場奇幻震撼的驚險(xiǎn)之旅就此展開......

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster