在線播放
劇情簡介
已婚女子彩乃,每天因精神壓力和缺乏性生活而悶悶不樂。某一天,她因在)開始尋求刺激的上門推銷客戶處看到絕世的美;手 rdquo;,彩乃被匪夷所思的感覺襲擊,從此陷入了幻想癥。 即將爆發(fā)的已婚女子在幻想中所看到的是什么!?
同類好片
鏡中人
英迪婭·埃斯利,詹森·艾薩克,佩內(nèi)洛普·米契爾,米拉·索維諾,哈里森·吉爾伯特森,克里斯汀·哈里斯,亞當(dāng)·哈蒂格,康納·彼得森,辛蒂·邁斯科探子阿堅(jiān):無頭奇案
玉葉,國輝征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達(dá)特,阿俊·拉姆鮑,馬達(dá)范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash Rai明日回游
李貝貝,郝正,田鈊,馮丹菊浴血蔣家河口
任帥,關(guān)亞軍,曹楠,計(jì)美臣界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯人氣佳作
兇兆前傳
尼爾·泰格·弗莉,托菲克·巴霍姆,索尼婭·布拉加,拉爾夫·伊內(nèi)森,比爾·奈伊,米婭·麥戈文·扎伊尼,安東·亞歷山大,安德烈·阿坎杰利,瑪麗亞·卡巴雷諾,阿萊西亞·博納奇,伊什塔爾·柯里-威爾遜,彼得·阿佩塞拉,西爾維婭·帕納喬內(nèi),馬里奧·歐普特,阿德里亞諾·阿拉貢,多納泰拉·巴托麗二十五世紀(jì)宇宙戰(zhàn)爭
吉爾·杰拉德,帕梅拉·亨斯利,愛琳·格雷,亨利·席爾瓦,約瑟夫·懷斯曼草莓月亮
當(dāng)真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結(jié)菜異形帝國
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚(yáng),阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
拼桌
對美食有著獨(dú)特見解的“碼農(nóng)”陸拾谷(王傳君 飾),與經(jīng)常用美食治愈生活的圖書編輯張嘉怡(江疏影 飾),因午飯時(shí)的拼桌意外結(jié)識,在一起尋找更多美味的經(jīng)歷下,兩人逐漸成為彼此味覺和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作,可心中卻翻涌著無限波濤,張嘉怡的圖書編輯工作、感情生活紛紛遇到瓶頸,在都市的煙火氣,牛馬打工人的迷茫中,拾谷與嘉怡最終會在味蕾與真心的指引下如何完成自我的成長?二人間又會產(chǎn)生怎樣宿命般的羈絆?一道色香味俱全的真香菜肴只待觀眾“嘗鮮”!
精武陳真:租界風(fēng)云
1911年,陳真為師父霍元甲報(bào)仇后投身革命加入中國同盟會,受托調(diào)查軍閥與日本在天津租界的勾結(jié)。在執(zhí)行任務(wù)遭伏擊、同伴中毒的險(xiǎn)境中,陳真與一度為敵的武人鄭邵遠(yuǎn)從對決到聯(lián)手,最終陳真在租界內(nèi)與日諜頭目決一死戰(zhàn),揭穿陰謀,公之于眾。