女優(yōu)傳記

★ 3.6 播放：98萬 更新：2026-04-27

在位于新瀉的田園鄉(xiāng)間，18歲的美麗女孩山瀨廣美（渡辺奈緒子 飾）結(jié)束了高中學(xué)業(yè)，她和男友英介攜手前往東京闖蕩。平日里廣美做著一份穩(wěn)定的機場地勤工作，但是她的心中始終懷有一個演員的夢想。偶然機緣，她在街頭邂逅了娛樂公司的經(jīng)紀(jì)人夏本正人（光石研 飾），不曾想對方竟是一家iV公司的負責(zé)人。經(jīng)過一番考慮，廣美決定以拒拍iV為底線，正式進入這家公司。隨著極度誘惑的平面寫真的流行，廣美漸漸積攢著人氣，同時也遭到來自英介和家鄉(xiāng)好友的壓力。而在一過程中，她離那條底線也越來越近本片根據(jù)iV女星美廣（Mihiro）的自傳改編，美廣本人亦在片中出演了角色。 　　

在線播放

劇情簡介

在位于新瀉的田園鄉(xiāng)間，18歲的美麗女孩山瀨廣美（渡辺奈緒子 飾）結(jié)束了高中學(xué)業(yè)，她和男友英介攜手前往東京闖蕩。平日里廣美做著一份穩(wěn)定的機場地勤工作，但是她的心中始終懷有一個演員的夢想。偶然機緣，她在街頭邂逅了娛樂公司的經(jīng)紀(jì)人夏本正人（光石研 飾），不曾想對方竟是一家iV公司的負責(zé)人。經(jīng)過一番考慮，廣美決定以拒拍iV為底線，正式進入這家公司。隨著極度誘惑的平面寫真的流行，廣美漸漸積攢著人氣，同時也遭到來自英介和家鄉(xiāng)好友的壓力。而在一過程中，她離那條底線也越來越近本片根據(jù)iV女星美廣（Mihiro）的自傳改編，美廣本人亦在片中出演了角色。 　　

導(dǎo)演精選

姽婳

　　知名畫家創(chuàng)作的最后一幅作品“惡靈畫像”后離奇死亡了，女設(shè)計師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫像”的路上，在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。

小婦人2019

 馬奇夫人（勞拉·鄧恩 Laura Dern 飾）有著四個如花似玉的女兒，大女兒梅格（艾瑪·沃森 Emma Watson 飾）擁 有著美麗的外表，和對于愛情的天真憧憬。二女兒喬（西爾莎·羅南 Saoirse Ronan 飾）滿腦子塞著古靈精怪的念頭，整天拿著蘸水筆東寫西寫，她的故事在全家上下都受到了熱烈的歡迎。三女兒艾米（佛羅倫斯·珀 Florence Pugh 飾）渴望成為一名畫家。最小的女兒貝斯（伊萊扎·斯坎倫 Eliza Scanlen 飾）雖然個性比起三個姐姐要來的內(nèi)向的多，卻擁有杰出的音樂天賦。在馬奇夫人的教導(dǎo)之下，四個姑娘漸漸成長為了擁有獨立人格的杰出女性，她們熱情、樂觀、善良，每個人都在各自的道路上堅強而又堅定的前進著。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.