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武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之登帕卡農(nóng)
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廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦一馬當(dāng)先
Biju Menon,阿西夫·阿里,Miya George冰尸玩過界
Seth David Mitchell,Brit Morgan,Noah Segan同類推薦
旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪該片根據(jù)編劇的童年經(jīng)歷進行創(chuàng)作。影片講述女主旺姆在丈夫離世之后，秉持著傳統(tǒng)，為了丈夫來世不需背負(fù)生前的債務(wù)，而接手丈夫生前巨額的債務(wù)替他還債，從而一步一步被生活逼到絕境的故事。
連環(huán)殺手芬斯特
Amanda Evans,布里頓·韋伯,布賴恩·安東尼·威爾遜A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
與祖國同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann故事發(fā)生在一艘名為“托林號”的英國皇家海軍驅(qū)逐艦上，在一場激烈的海戰(zhàn)中，該驅(qū)逐艦擊落了多駕敵機，創(chuàng)下了赫赫戰(zhàn)功，但它也因為拼搏在戰(zhàn)斗的第一線而傷痕累累，最終中彈起火。在艦長金洛斯（諾埃爾·考沃德 Noel Coward 飾）的要求之下，船員們放棄了托林號，塔上了救生艇，其中包括軍士長沃爾特哈迪（伯納德·邁爾斯 Bernard Miles 飾）和新兵肖蒂（約翰·米爾斯 John Mills 飾）等人。一行人在海上艱難漂泊，全憑意志和對家人的思念才勉強幸存，最終被一艘英國軍艦救起，獲救之時，剛開始浩浩蕩蕩的240名官兵，僅剩下19人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.