性欲女神：高潮迭起

　　有個(gè)驚嚇過(guò)度的小女孩在沙漠游走，唯一吐出的只有一個(gè)字：怪物！任何50年代恐怖片迷都會(huì)馬上告訴你，她所指的”怪物”就是巨蟻，那是在當(dāng)?shù)睾俗釉嚤蟮母碑a(chǎn)品。這些巨蟻非常有組織，嗜肉且體型巨大，約有8到20呎，它們?nèi)壕墼诼迳即壍南滤老到y(tǒng)，彷若一個(gè)巨大的螞蟻園區(qū)，準(zhǔn)備好要接管這個(gè)世界。要和這些怪物對(duì)抗的人類(lèi)精英是新墨西哥警署探員詹姆斯惠特摩，聯(lián)邦調(diào)查局代表詹姆斯亞尼斯，和一對(duì)由埃德蒙關(guān)恩和喬安妮威爾登所飾的父女檔昆蟲(chóng)學(xué)家。

　　在報(bào)館任職的驃叔（董驃 飾）因?yàn)楣ぷ鞯年P(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開(kāi)始了學(xué)業(yè)，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續(xù)生活，生活卻比以前更艱難了。驃嬸無(wú)意中發(fā)現(xiàn)了一張加拿大的頭獎(jiǎng)彩票，獎(jiǎng)金是兩千萬(wàn)加幣。　　由于不夠錢(qián)到加國(guó)，驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟(jì)危機(jī)的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強(qiáng)對(duì)抗，保住了彩票，卻無(wú)法在領(lǐng)獎(jiǎng)時(shí)限截止前趕到?！　∫患胰藗牧鳒I，悲傷之中發(fā)現(xiàn)時(shí)間上出現(xiàn)了時(shí)差，領(lǐng)獎(jiǎng)的時(shí)間還沒(méi)截止。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　23世紀(jì)中葉，地球已進(jìn)入全面崩潰的階段，戰(zhàn)爭(zhēng)和傳染病讓這顆原本美麗的藍(lán)色星球破爛不堪，人類(lèi)被迫離開(kāi)賴(lài)以生存的家園，遠(yuǎn)赴外太空尋找新的棲息地。憑借TSA先進(jìn)的技術(shù)，木衛(wèi)五成為充滿(mǎn)希望的新興樂(lè)土。在此之后，大批地球人乘坐飛船前往木衛(wèi)五，地球逐漸被人遺忘。　　然而就在此時(shí)，不斷有人起來(lái)反抗，聲稱(chēng)要推翻TSA利用機(jī)器對(duì)人類(lèi)的麻醉和統(tǒng)治，并據(jù)此不斷向空間站發(fā)起恐怖襲擊。美麗的勞拉·波特曼博士（Anna-Katharina Schwabroh 飾）隨一艘貨船前去空間站看望親人。在長(zhǎng)達(dá)4個(gè)月的旅途中，大部分人需進(jìn)入睡眠狀態(tài)。勞拉擔(dān)任了值班的任務(wù)，然而在這靜寂的飛船里，似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……