劇情簡介
年屆不惑的藝術(shù)史學(xué)者約翰?洛克(James暫無內(nèi)容Wilby暫無內(nèi)容飾)只身前往非洲,潛心研究法國著名畫家德拉克洛瓦的畫作及其藝術(shù)之旅。他將一座廢棄的宮殿改造成工作室,當(dāng)?shù)匾幻利惗衩氐纳倥悹柶嫠梗―any暫無內(nèi)容Verissimo暫無內(nèi)容飾)服侍約翰的日常起居。
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據(jù)余華同名小說改編。富少福貴(葛優(yōu))嗜賭成性,妻子家珍(鞏俐)屢勸無果后帶著女兒鳳霞離開了他,當(dāng)夜,福貴輸光所有家產(chǎn)氣死父親,被迫靠變賣母親首飾租間破屋過活。一年后,家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中,福貴痛改前非,開始靠演皮影戲過起安份守己的日子。但好景不常,內(nèi)戰(zhàn)時(shí)期,福貴被國民黨抓去當(dāng)勞工,一番輾轉(zhuǎn)終回到家鄉(xiāng)與一家人團(tuán)圓后,鳳霞因病變成啞巴,而在后來的大躍進(jìn)運(yùn)動和文化大革命中,他雖獲某些小福,逆境卻也一直與他如影相隨。
大內(nèi)醫(yī)探
張舉舉,趙靜沛,胡藝瀟,吳悅菡一名娘娘腔小太監(jiān),華麗麗變身男子漢的嬉笑之旅! 大內(nèi)丹藥總管賈公公的助手、后宮人氣王——太監(jiān)小權(quán),遇上了心上人,開始研究如何還原男兒之身,重拾男子氣概!不料研究之路布滿荊棘,小權(quán)在研究丹藥的過程中,不小心撞破一場驚天大陰謀!后宮黑幕重重,為了能挽救無辜、和喜歡的人在一起,小權(quán)決定奮起反擊,揭露黑暗!且看太監(jiān)小權(quán)大顯身手,在后宮掀起波瀾!
龍林逃生
陳升衛(wèi),林千雯,鬼哥,龍娜,薛瓊,李信慶《龍林逃生》講述了陳義天、吳勇、梁麗娜、王燕玉等人坐著冒險(xiǎn)之旅客運(yùn)車前去原始森林歷險(xiǎn)旅游,途中車子出現(xiàn)故障遇到紅火蟻、恐龍和被恐龍襲擊的虎哥等人,大家互相關(guān)心、互相幫忙,最終安全地逃出了奇妙的原始森林。
迷妄國度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費(fèi)南德斯故事背景設(shè)置在殘酷的娛樂圈內(nèi),這個充斥著浮華、魅影、聚光燈的幕后。漸漸褪色的電影天后Shanaya求助于黑魔法來阻擾平步青云的影壇新星Sanjana,因?yàn)镾anjana已不擇手段地篡奪了她曾經(jīng)的位置。無情的Sanjana還利用她的愛人Aditya對付她,而Aditya當(dāng)初和她在一起,只不過是把她當(dāng)成一顆棋子助自己事業(yè)一臂之力。Aditya愛上了Sanjana并發(fā)誓會保護(hù)她,然而此時(shí)的Shanaya已成為一個瘋狂的魔鬼,她誓要耗盡他們所有人的生命。
九龍挎刀去白馬
羅立群,黃濤一把刀守一個信念,老兵從九龍鎮(zhèn)殺向白馬關(guān),冒死押送之路步步藏殺機(jī)。絕境中他背水一戰(zhàn),縱敵人環(huán)伺,仍以諾言為重,且看其如何突出重圍!
加齊號的攻擊
拉納·達(dá)格巴提,凱·凱·門農(nóng),阿圖爾·庫爾卡尼1971年,印度與巴基斯坦之間在東巴解放戰(zhàn)爭之間的緊張局勢日益緊張,巴基斯坦海軍在一個高級秘密任務(wù)中計(jì)劃襲擊印度雄偉級航空母艦INS Vikrant,以控制孟加拉灣的水域 。 他們派出一流的潛艇PNS Ghazi(加齊號/勇士號),但被印度潛艇INS Karanj(S21)攔截。 隨后發(fā)生水下攻擊。