驅(qū)魔人
A暫無(wú)內(nèi)容man暫無(wú)內(nèi)容is暫無(wú)內(nèi)容tormented暫無(wú)內(nèi)容by暫無(wú)內(nèi)容an暫無(wú)內(nèi)容ex-lover,暫無(wú)內(nèi)容Lorna,暫無(wú)內(nèi)容who暫無(wú)內(nèi)容posseses暫無(wú)內(nèi)容a暫無(wú)內(nèi)容strange暫無(wú)內(nèi)容power暫無(wú)內(nèi)容over暫無(wú)內(nèi)容a暫無(wú)內(nèi)容women,暫無(wú)內(nèi)容including暫無(wú)內(nèi)容the暫無(wú)內(nèi)容man's暫無(wú)內(nèi)容daughter.
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編輯推薦
熊出沒(méi)·年年有熊
張秉君,張偉,譚笑熊大曾是森林里的“老大哥”，直到一個(gè)不速之客到來(lái)，它將自己神力傳給了熊強(qiáng)，熊大變成了三人組合內(nèi)能力最弱者。為了改變現(xiàn)狀，他步入了反派陷阱，引發(fā)了毀天滅地的危機(jī)......
我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯影片故事講述一名父親傾盡所有去保護(hù)自己的女兒。
甜心老爸
布倫特·貝利,邁克爾·錢(qián)德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凱西·奧凱菲,瑞克·奧托,Anthony Richard Pagliaro,Jim Poole,奧布雷·雷諾茲,埃利斯·羅伯特森大學(xué)畢業(yè)后，Bridget和她最好的朋友Lindsay搬到了一個(gè)新的城鎮(zhèn)。她得到了一份擔(dān)任Anthony Gloss行政助理的工作，但她很快發(fā)現(xiàn)，奢侈的生活可能會(huì)付出致命的代價(jià)。
哈佛少女的快樂(lè)清單
蓓爾·波利,內(nèi)森·連恩,加布里埃爾·伯恩,瓦妮莎·貝爾,科林·奧多霍諾,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·賈甘納坦,扎卡里·因凡特,安迪·布斯蒂羅斯,瑪哈蕾·赫沙姆,喬爾·邁克利,斯科特·啟治·武田,科妮莉亞·格斯特凱麗（蓓爾·保利 Bel Powley 飾）是名聲大噪的天才少女，18歲便獲得了哈佛大學(xué)的畢業(yè)證書(shū)。雖然每個(gè)人都覺(jué)得凱麗擁有著前途無(wú)量的未來(lái)，但對(duì)于凱麗來(lái)說(shuō)，每一天她都生活在郁悶和沮喪之中。凱麗的母親自幼就離開(kāi)了她，如今，相依為命的父親派爾必（加布里埃爾·伯恩 Gabriel Byrne 飾）竟然也決定組建新的家庭。 察覺(jué)到了凱麗的彷徨，父親將名為佩特羅夫（內(nèi)森·連恩 Nathan Lane 飾）的心理醫(yī)生介紹給了凱麗，佩特羅夫給了凱麗一份清單，上面羅列著六項(xiàng)任務(wù)，佩特羅夫向凱麗保證，只要她完成了這兩項(xiàng)任務(wù)，就能夠重新找回快樂(lè)，一切真的如他所說(shuō)的那么簡(jiǎn)單嗎？
雙生疑云
Anjali,Joju George,Srindaa一名警察遇害身亡，查案的警員發(fā)現(xiàn)這與其雙胞胎兄弟及他們令人不安的過(guò)去有關(guān)，一場(chǎng)令人心驚膽戰(zhàn)的真相探查就此展開(kāi)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster