即刻觀影
劇情賞析
編輯推薦
沖動(dòng)
芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。
守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可該片是心理懸疑風(fēng)格的影片。八年前，一場(chǎng)古董事件導(dǎo)致了相依為命的奶奶死于非命，正值妙齡的佳佳（楊紫 飾）又不得不面對(duì)父母離異的現(xiàn)實(shí)。家庭的破裂、死去奶奶的噩夢(mèng)纏繞，好友的突然癱瘓，而此刻令人毛骨悚然的文物販子伺機(jī)出動(dòng)，各種不解之物正等待時(shí)機(jī)向她發(fā)起進(jìn)攻，直到她變成了守株人……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
下女1960
金振奎,朱曾女,李恩心,嚴(yán)鶯蘭某紡織廠的音樂部教師東植對(duì)錦川發(fā)生的一起殺人事件表示出極大的興趣?！ ∧程?，東植從女工郭善英處收到一封情書，并向舍監(jiān)告發(fā)，善英被工廠開除。曾鼓勵(lì)善英寫信的朋友趙慶熙借著鋼琴輔導(dǎo)的契機(jī)開始出入東植家。為了貼補(bǔ)家計(jì)，東植妻子做了很多裁縫活兒，身體越來越虛弱。東植委托慶熙尋找到一名合適的下女，幫助持家。妻子懷孕回娘家的當(dāng)下，慶熙借機(jī)向東植表達(dá)了愛意，卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機(jī)誘惑東植，并與之發(fā)生了肉體關(guān)系。三個(gè)月后，下女懷孕。東植的妻子知道真相后，將下女推下樓梯，導(dǎo)致流產(chǎn)。失去孩子的下女怒火中燒，性情開始變得暴烈。結(jié)果，下女將東植夫婦倆的孩子也推下樓梯，藏了起來。下女以向工廠曝光所有事實(shí)相要挾。為了保住整個(gè)家庭，東植將二層的房間讓給下女。最后，準(zhǔn)備和下女一起吃耗子藥自殺的東植看到死在臺(tái)階上的下女，毅然拋棄了她，重新回到了妻子身邊。這時(shí)，電影畫面再次回到東植夫婦看著有關(guān)那起殺人新聞的畫面，東植不禁說道：這樣的事情有可能發(fā)生在任何一個(gè)人的身上。
灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila RobinsA Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.
火車司機(jī)日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚(yáng)科維奇,達(dá)妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚(yáng)·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克每個(gè)火車司機(jī)在職業(yè)生涯中會(huì)撞死20多人，這些死者通常是因?yàn)閷に?、失誤、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機(jī)，他共撞死了28人。他19歲的養(yǎng)子西瑪繼承了他的工作，西瑪非常擔(dān)心自己也會(huì)撞死人，而老司機(jī)們都安慰他說，一周內(nèi)就會(huì)發(fā)生，但是幾周過去后，沒有發(fā)生一起撞人事故，而這也使得他精神極度緊繃。伊利亞為了幫助他，找到了許多想要自殺的人，讓他們跳到車軌上自殺，但是最終這些人都放棄了自殺的念頭。無奈之下，伊利亞自己躺在了車軌上想用自身的死來拯救西瑪…