劇情簡介
《夫妻生長日記2》是由克 ;亞樹的長篇愛情漫畫改編的真人版電影《夫妻生長日記》的續(xù)集,由人氣平面模特森下悠里主演。結婚前完全沒有性閱歷的小優(yōu)和小真,為了成為;真正的夫妻 rdquo;而不時努力,本故事以兩人半年后生活為舞臺,小真雖然每天都對小優(yōu)有所盼望,但千篇一概使得小優(yōu)感到毫無熱情,雖然思索到小優(yōu)的感受小真下定決計三周不過性生活。。。。本次新退場了明日花kirara和谷桃子等演員。
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美國勇士
A man with a troubled past decides to turn his life around after a heroic act by training for a mixed martial arts tournament.
罪生咒
與丈夫離婚后,Alice必須承擔起單親母親的全部責任,照顧她全心全意愛著的兒子August,一個好奇的小男孩。他從小就對A、他的父親和他自己的故事充滿疑問。就連他的母親也從未談起過他的父親,August15歲那年,神秘的故事開始一點一點地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現恐怖的原因。在試圖讓他認識到自己的業(yè)力同時,Alice相信理性和正義。Alice竭盡全力拯救她所愛的兒子。但她越是反抗并帶領August遠離現實,詭異和奇怪的事件不斷升級,直到August陷入危險。決定返回尋找過去的真相。August生命危在旦夕,當Lambam家的門打開時,里面的木樁從過去一直建到了現在,與她一起打開的是Lambam家的老管理員Cherd叔叔,他知道整個故事。業(yè)力和所欠的誓言已經開始要求償還
孤獨的美食家 2025除夕特別篇
松重豐這是系列節(jié)目迎來第9年!2025年的跨年夜直播,將時隔5年再次恢復部分現場直播! 倒計時迫近,今年五郎依舊面臨“黃燈警報”!在跨年活動中要分發(fā)的某種食材,今年又落在五郎頭上(嚴格來說是被強行要求)。他將帶著自己那位小小的伙伴,奔走整個東日本。年末已經成為傳統的這場奇妙旅程,今年又會在怎樣的土地上,遇見怎樣至高無上的美食呢?而五郎能否趕上2025年壓軸的大型活動?請拭目以待!
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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安昂傳奇:最后的氣宗
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