即刻觀影
劇情賞析
編輯推薦
黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
恐懼之靈
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger一名男子在郊區(qū)一間空蕩蕩的房子里醒來，沒有記憶，手臂上沾著血跡。當他瘋狂地洗掉血跡時，他發(fā)現(xiàn)那不是他的。他在房子周圍發(fā)現(xiàn)了一些便利貼，上面寫著:“不要呆在這個房間里?！薄皠e出去?！薄皠e下樓?！彼械嚼Щ螅噲D追蹤這些神秘的信息，最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系，還有住在這所郊區(qū)房子里的惡魔。當他越來越接近解開他為什么在那里的謎團時，惡魔變得越來越強大，考驗著他的生存意志。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函離家十六年的陳家輝（陳坤 飾）在得知父親陳為民（王勁松 飾）病危后，重返故鄉(xiāng)。但父親未留下只言片語便匆匆離世。葬禮之后，陳家輝與哥哥陳家興（王硯輝 飾）、姐姐陳家媛（劉敏濤 飾）在整理父親遺物時，逐漸察覺父親身上似乎隱藏著許多不為人知的秘密。帶著困惑與心結，陳家輝開始探尋父親生前的生活軌跡，試圖拼湊出父親真實的模樣。在這個過程中，一段埋藏了16年的家庭秘密逐漸被揭開，而這個秘密的核心，正是家輝與父親之間一生都未能解開的那個結。
攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin BartasheviMikheil Chiaureli是斯大林的御用導演，《攻克柏林》長達近五個小時，分上下兩部，處處著重突出最高統(tǒng)帥的高瞻遠矚。影片結尾，斯大林乘飛機抵達陷落的柏林，接受蘇軍的歡呼。其實這是“藝術虛構”。和《斯大林格勒戰(zhàn)役》一樣，這場實際主要由朱可夫將軍指揮的戰(zhàn)役，影片中絲毫沒有他的影子。當時朱可夫已經因為功高震主，被羅織罪名，發(fā)配到烏拉爾軍區(qū)去了，這是1946年的事。這部1949年的電影很自然地就將朱可夫的功勞“藝術虛構”到偉大領袖的頭上了?！ ∫驗檫@部影片，導演連續(xù)獲得了兩次國家獎金，包括1950年的斯大林獎金。中國觀眾熟悉的《難忘的1919》（1952）也是出自這位導演的手筆。值得一提的是，這兩部影片都是由蘇聯(lián)作曲家肖斯塔科維奇譜曲的。
筆仙大戰(zhàn)貞子2
奚美麗,云翔,朱婭,王宇凝,林奕婧《筆仙大戰(zhàn)貞子2》講述了美術學院學生夏柚（奚美麗飾），在與“姐妹團”佩潔（朱婭飾）、小依（王宇凝飾）、雯雯（林奕婧飾）聚會時候玩起了通靈游戲，陰差陽錯之下招致了貞子的出現(xiàn)，伴隨而來的還有噩夢和殺戮。被逼無奈之下，姐妹團決定召喚筆仙，一場中日鬼王之間的惡戰(zhàn)再次掀起。