毀滅之屋傳奇

? 3.1 播放：54萬 2026-05-03

姐弟重逢迷屋，姐弟不復(fù)姐弟。雖然尋找他的童年的家，揚(yáng)飄蕩成一個(gè)擁擠的夜總會，在那里他被搭訕的狡猾Dideloo（米歇爾花束）之前propositioned通過引人入勝的投注（法語主唱西爾維瓦爾坦奧斯）。當(dāng)他醒來，揚(yáng)發(fā)現(xiàn)自己在Malpertuis，他Cassavius叔叔的迷宮豪宅。其它的住客包括動(dòng)物標(biāo)本制作Philaris（查爾斯詹森）和居民瘋子Lampernist。與妹妹團(tuán)聚后，南希（蘇珊新罕布什爾州），揚(yáng)愛上了Dideloo的隱秘女兒，芡實(shí)（新罕布什爾州）。

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? 播放 毀滅之屋傳奇

劇情提要

姐弟重逢迷屋，姐弟不復(fù)姐弟。雖然尋找他的童年的家，揚(yáng)飄蕩成一個(gè)擁擠的夜總會，在那里他被搭訕的狡猾Dideloo（米歇爾花束）之前propositioned通過引人入勝的投注（法語主唱西爾維瓦爾坦奧斯）。當(dāng)他醒來，揚(yáng)發(fā)現(xiàn)自己在Malpertuis，他Cassavius叔叔的迷宮豪宅。其它的住客包括動(dòng)物標(biāo)本制作Philaris（查爾斯詹森）和居民瘋子Lampernist。與妹妹團(tuán)聚后，南希（蘇珊新罕布什爾州），揚(yáng)愛上了Dideloo的隱秘女兒，芡實(shí)（新罕布什爾州）。

幕后花絮

外星精神病

　　Ryan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個(gè)腐敗的警察，她的丈夫一直在為這個(gè)國家服務(wù)，她一直在幫她。瑞恩和托尼從來都不喜歡對方，而托尼試圖干涉他們的婚姻，事情變得激烈起來。但是，當(dāng)瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時(shí)，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對丈夫的行為深表擔(dān)憂。隨著歲月的流逝，瑞恩很快就會發(fā)現(xiàn)他的噩夢在他身上縈繞著什么邪惡的存在。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.