美人妻白書 美人妻白書 隣の芝は (2014)
我們也開始與我的妻子,睡眠秘密的約會是讓會議保持budithimyeo偶不滿意提升與她5歲的赫德進入婚姻狀態(tài)的房子你還吃現(xiàn)成的貸款支付妻子湯米柴田都工作生活的作家,刮之美色雜志。一個移動的幾天吃,但柴田與同性的另一個詞的隔壁。性感的婦女在湯米是一對正在通過提供與其他鄰國 的商品去秘密的約會,因為我不知道它的名字,這個東西的事實雜志的作家很勉強的點上Tommy來對妻子發(fā)生以下優(yōu)美房子還貸款的狀態(tài)和優(yōu)美的妻子睡覺都不滿意,總是和她結(jié)婚5年了,漸漸進入??夫婦的會議開始。有一天,鄰居秘密的約會家里其他同樣的漢字時所出現(xiàn)的夫婦買來的。因為這個名字從鄰居家的快遞物品轉(zhuǎn)交給Tom..
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芝加哥大火記
泰隆·鮑華,艾麗絲·費伊,唐·阿米契,艾麗絲·布雷迪自殺俱樂部2001
石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa看不見的女兒
阿登·楊,茱莉亞·莎拉·斯通,Camille Sullivan陰目偵信
梁業(yè),何啟華,郭嘉駿,吳保锜,周家怡,葛民輝,太保,羅永昌,張達倫,譚旻萱挽救計劃
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奧爾蒂斯,萊昂內(nèi)爾·博伊斯,梁振邦,米拉娜·薇恩翠,普里亞·坎薩,利茲·金斯曼,馬拉基·卡比,梅麗爾·斯特里普,尤妮斯·胡特哈特,雷·波特,達米安·德·弗羅貝維爾,安妮勒·奧拉萊,米婭·索特里烏,巴斯蒂安·安東尼奧·富恩特斯,愛麗絲·布里塔因,瑪雅·伊娃·侯賽因,邁克爾·阿金綏爾,特拉維斯·杰,杰弗里·蘭布,保羅·蘭伯特,奧賴恩·李,亞倫·尼爾,米歇爾·格里尼奇,伯恩哈德·舒茨浴火之森
貝倫·奎斯塔,戴安娜·戈麥斯,恩里克·奧克爾,華金·弗里爾同類推薦
天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤沙漠里流傳著一句話:天出血,人死絕。故事發(fā)生在舊時代的西北,這樣一片沙漠地帶,它講述了一個愛情悲劇故事。年青的問九因鄉(xiāng)鄰間缺水爭執(zhí)而出逃在外,待回來時,曾與之心心相印的秀秀姑娘已被族叔迎娶,成了他的嬸嬸。水繼續(xù)威脅著人們的生存,問九的族叔為富不仁,竟以空手能否從滾開的油鍋里撈起銅錢來決定人們在綠洲的去留,他狠毒地騙問九替他撈起銅錢卻又暗地加害問九。問九奮起抗?fàn)?,砍死了族叔,被官府捉捕。牢獄未能囚住問九渴求自由的心。他一次次尋求機會越獄。數(shù)十年后,當(dāng)問九逃出虎口,卻又被沙漠里的土匪抓住逼他帶路,對秀秀的愛情支撐著問九最后的生命,他再次出逃,掙扎著爬回自己的故鄉(xiāng)。但黃沙已無情地吞噬了這里的一切,唯有刻著綠洲村的石柱還未被淹沒。問九手撫石柱瞑目在這荒原上?;脑希氏紳M天。天出血,人死絕。
金箍上的裂痕
【內(nèi)容由AI生成】畫手林默在AI霸權(quán)時代陷入創(chuàng)作焦慮 。西游世界中,真大圣憑借金箍裂痕覺醒 ,單槍匹馬擊碎黑六耳幻化的巨型機械妖猴 。隨著妖猴崩解,被囚禁的數(shù)據(jù)化作千萬個神采各異的大圣眾生相。現(xiàn)實中,林默拒絕AI優(yōu)化并關(guān)上電腦,回歸初心。他在爺爺墓前及街頭孩童揮舞廉價金箍棒的歡笑中領(lǐng)悟到,AI雖能模擬形態(tài),卻無法替代人在不完美中堅守本心的“選擇”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
白日殺機
張小仟,章宇,鄭諾,亦涵 Han Yi故事描述了陳偉(章宇 飾)和性感美女艾菲(亦涵 飾)前往一處廢棄多年的化工廠做規(guī)劃設(shè)計,卻意外陷入了一連串恐怖事件的故事。一路上,艾菲作為第三者,主動示愛陳偉,兩人暗地里偷偷交往,而陳偉則在背叛自己的女友的情況下接受了這種行為。他們抵達化工廠后,發(fā)現(xiàn)這里布滿了詭異的氛圍:墻上刻著血字,艾菲突然消失了。陳偉意識到自己可能已經(jīng)陷入了一個危險的陷阱,成為了神秘人設(shè)計的犧牲品?! £悅ヅc神秘人展開了搏斗,試圖逃出險境。在這場斗智斗勇中,他們面臨著生死攸關(guān)的局面。最終,是否能夠成功逃生,成為故事的懸念。然而,即使逃脫了生理上的危機,陳偉還將面臨道德和良知的拷問。他的背叛行為是否值得,他對自己和他人的所作所為是否感到內(nèi)疚和后悔,這些問題也將成為他未來的挑戰(zhàn)。
盜墓大案
李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦這是一部講述公安干警李方中、鐵鶴等舍生忘死與盜墓團伙頭目“老祖”斗智斗勇,最終將其擒獲并把所有盜墓團伙一網(wǎng)打盡,追回并保護了國寶、文物的影片。