劇情簡(jiǎn)介
個(gè)性叛逆的高中生許小米（趙菁 飾）因成績(jī)墊底被安排進(jìn)學(xué)校的差生班，而正是這個(gè)特殊的班級(jí)迎來(lái)了位個(gè)性十足的班主任馬力（曹磊 飾），在與這些孩子的極限拉扯下，他看到了每個(gè)孩子身上的閃光點(diǎn)，并制定了專屬于他們的理想錦囊，孩子們一改往日消極，積極備戰(zhàn)高考，實(shí)現(xiàn)人生蛻變，“咸魚(yú)”也有夢(mèng)想！
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虎紋少女
扎芙林·宰麗扎爾,迪娜·埃茲拉爾,碧卡,莎黑茲·薩姆,郡·洛瓊,海魯納茲萬(wàn)·羅德茲伊,Fatimah Abu Bakar故事一開(kāi)始，我們見(jiàn)到了12歲的扎凡（扎芙林·宰麗扎爾 Zafreen Zairizal 飾），一個(gè)叛逆而無(wú)憂無(wú)慮的女孩。然而，她的身體開(kāi)始發(fā)生可怕的變化，而她卻試圖否認(rèn)和掩飾這些變化，希望在學(xué)校里保持正常的生活。隨著朋友們對(duì)扎凡的排擠和攻擊，情節(jié)逐漸升級(jí)，達(dá)到了一個(gè)臨界點(diǎn)，整個(gè)學(xué)校陷入恐慌。 學(xué)校里關(guān)于廁所里藏著一個(gè)暗影的傳說(shuō)加劇了恐懼氛圍，而一位自告奮勇的醫(yī)療官?zèng)Q定趕走困擾眾人的惡魔。醫(yī)療官很快發(fā)現(xiàn)扎凡可能是問(wèn)題的根源，打算為她進(jìn)行驅(qū)魔。扎凡的內(nèi)心狀態(tài)宛如一只被拖出棲息地的受驚老虎，她最終決定向眾人展示真實(shí)的本性，包括憤怒、狂暴和美麗。這可能是一個(gè)關(guān)于接受自己真實(shí)面貌的故事，同時(shí)也涉及到對(duì)于社會(huì)標(biāo)準(zhǔn)和期望的反抗。
平原上的夏洛克
徐朝英,張占義,宿樹(shù)合超英翻蓋新房 ，占義、樹(shù)河前來(lái)幫忙，沒(méi)想到樹(shù)河卻因意外車(chē)禍入院，司機(jī)肇事逃逸，超英和占義化身“平原偵探”，踏上了一段令人啼笑皆非的荒誕追兇之旅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
ChaO，我代表人類跟人魚(yú)結(jié)婚了
鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕人間と人魚(yú)が共存する未來(lái)社會(huì)を舞臺(tái)とする本作。船舶を製造する會(huì)社で働くサラリーマンのステファンは、ある日突然、人魚(yú)王國(guó)の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。
鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗音樂(lè)家西門(mén)(蔡楓華飾)生性風(fēng)流不羈，乘帶領(lǐng)樂(lè)團(tuán)赴韓演奏之便，探望開(kāi)設(shè)跆拳道館之好友大口(王青飾)。大口投其所好，贊成他在韓國(guó)盡情開(kāi)心，唯獨(dú)不能打其妹阿淑(李玄麗飾)主意。但機(jī)緣巧合之下西門(mén)巧遇阿淑，一見(jiàn)鐘情，阿淑更以身相許。誰(shuí)知西門(mén)對(duì)阿淑只是抱玩弄心情，西門(mén)假稱要返香港，實(shí)則回到大口處向其炫耀其風(fēng)流史。恰巧阿淑來(lái)到探望兄長(zhǎng)，聞言傷心欲絕，大口卻氣到七竅生煙。淑獨(dú)自躲到雪山，西門(mén)冒雪崩危險(xiǎn)尋覓阿淑。結(jié)果，兩人幾經(jīng)艱辛脫險(xiǎn)后，有情人終成眷屬。
吉星拱照
周潤(rùn)發(fā),張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強(qiáng),黃貫中林寶生（周潤(rùn)發(fā) 飾）是香港富豪，與表妹玉仙（利智 飾）早已訂婚。但寶生并不喜歡未婚妻的庸俗，決定逃婚，并要證明自己能獨(dú)立生活。出走的第一天，他陰差陽(yáng)錯(cuò)來(lái)到了一個(gè)慈善晚會(huì)，認(rèn)識(shí)了晚會(huì)贊助商?hào)|東快餐店的老板（夏雨 飾）與其妹妹（張艾嘉 飾），還成為了快餐店的員工之一。寶生與一群善良的同事度過(guò)了一段難忘的時(shí)光，他也看到了自己價(jià)值的存在，與老板的妹妹也產(chǎn)生了感情，但他與表妹的婚期將至，他的真實(shí)身份也將浮出水面，而他與老板妹妹的感情又會(huì)如何呢？
甜心老爸
布倫特·貝利,邁克爾·錢(qián)德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凱西·奧凱菲,瑞克·奧托,Anthony Richard Pagliaro,Jim Poole,奧布雷·雷諾茲,埃利斯·羅伯特森大學(xué)畢業(yè)后，Bridget和她最好的朋友Lindsay搬到了一個(gè)新的城鎮(zhèn)。她得到了一份擔(dān)任Anthony Gloss行政助理的工作，但她很快發(fā)現(xiàn)，奢侈的生活可能會(huì)付出致命的代價(jià)。