即刻觀影
劇情賞析
編輯推薦
靈魂擺渡之風華絕代
于毅,岳麗娜,何花,楊昆,倪虹潔,劉智揚近日，由北京完美建信影視出品，倪虹潔特別出演的新劇《靈魂擺渡3》曝光了劇場版《風華絕代》的兩版預告。倪虹潔在劇中大膽挑戰(zhàn)了帶刺野玫瑰風格的角色。不僅身穿白裙微露大腿，還言語挑逗師傅，似是上演了一出禁忌戀情。而在另一版預告中，倪虹潔梳起“大背頭”，以男裝造型登場，眼尾輕挑、眼神迷離的野性風格“色誘”熒幕前的老司機。反差如此過大，網(wǎng)友強烈期倪虹潔上演的“雙面魅力”。有著口碑和點擊量雙好評的《靈魂擺渡》，時隔一年終于以完結篇的形式回歸熒屏。演員倪虹潔加盟《靈魂擺渡3》最受期待的劇場版《靈魂擺渡之風華絕代》，扮演了一位充滿神秘色彩，而又雌雄莫變的“野玫瑰”。
亭亭鳳凰臺
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤該片以詩圣杜甫創(chuàng)作鳳凰臺為引，講述了三位甘肅成縣人士回鄉(xiāng)參加鄉(xiāng)賢大會時，揭開了一段深埋于記憶長河的往事。
北地獵人
柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko ShimozawaIn the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
神探瓦雷斯：綁票追緝令
里歐·舍曼,加斯帕·帕科農(nóng),米·庫基不敢相信！浪蕩不羈的瓦雷斯終于要結婚了，但是在婚禮上，瓦雷斯突然接到伴郎「解毒劑」的緊急來電，對方被幫派份子嚴刑拷打，需要他的救援。當他深入毒窟營救老友的同時，他新婚妻子的女兒被綁架了。瓦雷斯第一天當爸爸，就出大事了，為了營救繼女，瓦雷斯被迫參與一場神秘詭譎的性愛邪教聚會，他分秒必爭，必須搶在犯罪集團之前，拯救他所愛的人保護他的新家人。
咒·絲
戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤電臺主持人卓鎮(zhèn)濤（戴立忍 飾）極富才氣，他主持的情感心理節(jié)目深受廣大聽眾喜愛。他還有一個令人羨慕的家庭，妻子（梁靜 飾）賢良持家，長女曉藝是T臺的新星，兒子曉柏（翟文斌 飾）是有名的造型師，小女曉芊更是清新可人，伹隨著妻子在水族館的不幸遇害，這個美滿的家庭發(fā)生了巨大變化。警方確認為他殺，而卓鎮(zhèn)濤因忙于工作疏于家庭從而背上了很大的心理包袱。三個孩子為兩任妻子所生，而兩任妻子全都死于非命。曉藝把責任一鼓腦推給爸爸，雖說同父異母的孩孒們相處融洽，但作為心理專家的卓鎮(zhèn)濤確實難辭其究。隨著又一樁詭異事件的發(fā)生，真相即將浮出水面......
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.