　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惡魔們

張東潤,吳代煥,崔奎華,張宰昊,孫鐘學(xué),申承煥,尹炳熙

多年來，偵探Jae-hwan一直癡迷于捕捉Jin-hyuk，負責(zé)他的搭檔和姐夫的死亡的連環(huán)殺手，即使復(fù)仇的道路意味著跳過一些規(guī)則。但是，當(dāng)拖延已久的相遇終于到來時，事情并沒有像預(yù)期的那樣進行——經(jīng)過一場追逐和一場混亂的事故，在失蹤了一個月之后，Jae-hwan被銬在醫(yī)院的病床上醒來，卻發(fā)現(xiàn)他被困在Jin-hyuk的身體里，而反過來，兇手正在取代他和他的家人在一起。但這只是一個起點，一個曲折、極端的敘事，充滿了令人驚訝的轉(zhuǎn)折，并染上了鮮血和霓虹燈的紅色。在他的殘酷處女作中，金在勛(Kim Jae-hoon)借用了身體轉(zhuǎn)換的比喻，以塑造類型電影愛好者的盛宴。

尸油降

卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????

　　阿坤（卡文英瑪諾泰飾）是個孤兒，由村里強大的薩滿萊穆養(yǎng)大。他受雇驅(qū)魔，卻偷偷進行黑魔法儀式，想提煉尸油賺錢迎娶心愛的女孩蘇伊，沒想到這觸怒了鬼魂、招致報復(fù)。此時蘇伊恰巧來找他，究竟阿坤能否以所學(xué)和信仰幫助自己和身邊的人死里逃生？

小鎮(zhèn)突襲

雷·利奧塔,多米尼克·珀塞爾,邁克爾·帕爾

　　巴倫為首的四個刺客,偽造成特勤局特工去到艾倫家里,艾倫是一個因為戰(zhàn)爭失去了丈夫的女人.她家的位置很適合偷襲總統(tǒng),那些人騙過了當(dāng)?shù)氐木?只有托德頭腦依然清晰明了,他是個伊拉克的戰(zhàn)爭英雄,曾經(jīng)和艾倫的丈夫一起服役,托德想辦法殺了他們的一個手下,但被抓了.他們必須在總統(tǒng)被刺殺之前找到一個辦法阻止刺客。。。。。

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